Nick Brandt

John and Mak, Kenia, 2020

2020

LUIS ZURITA Luis is a teacher at the community school, and also a farmer. In 2021, he lost practically all of his crops due to flooding from overflowing rivers. He remembers that events of this type never used to happen in the community and that weather events have changed enormously. He is aware that these changes and natural disasters are the results of global warming, so he tries to teach this to the children of the community, hoping that it will generate a change in attitude toward these problems. HERNAK Hernak, photographed when he was aged seven, was being sold on Facebook (sigh), when he was just a baby after his mother was killed. He was sent to the city of Santa Cruz, where he was kept in a temporary animal shelter. While there, he had surgery for a faecal impaction, and during recovery, Hernak opened the stitches. He was found in the morning with his intestines exposed and was rushed to the hospital. Somehow, he survived this. Hernak now lives in a large enclosure on a forested hillside at Senda Verde. Like Tarkus the bear, he seems endlessly curious and energetic. As always, the reasons for the decline in jaguars are multifaceted: habitat destruction from deforestation to an increasing number of wildfires; killing by livestock owners who pay their employees extra to shoot them, to feed an increased demand from China for the fangs of the jaguars. The supposed good luck, fortune, protection, and vitality offered by jaguar teeth—merely an extension of the Chinese belief that Asian tiger parts offer the same benefits—is at the heart of the demand. Offering $100 to $400 per tooth for jaguar fangs, the money to be made is too hard for many to resist. In addition to the skins and skulls, even the testicles are prized in China—as an aphrodisiac. (This is as insane as believing the same about rhino horn.) Chinese companies are going into partnership with the Bolivian government, stripping National Parks of resources, which makes matters worse. With the cooperation of the local prison system, Chinese nationals have created a thriving industry in which inmates are forced to create products such as purses and bags...

JUANA FANEO TAE Juana grows peanuts and beans on about two acres. But the increased incidence of both droughts and floods, extreme heat and then cold, and winds, has dramatically impacted production. Lost harvests, once upon a time extremely rare, have become common for all of the farmers around her. The river by her has also become so contaminated due to mining, that now not even the fish can be eaten safely. That contamination, and the sheer amount of plastic pollution, has resulted in much reduced fish populations. Juana is also a naturopath, using plants from the nearby forest, which is a knowledge passed down through generations. Seventy-seven years old at the time of photographing, she had an energy and radiance of someone much younger, and like all the people in these photographs, was unfailingly gracious and patient. HERNAK Hernak, photographed when he was aged seven, was being sold on Facebook (sigh), when he was a just a baby, after the mother was killed. He was sent to the city of Santa Cruz, where he was kept in a temporary animal shelter. While there, he had surgery for a fecal impaction, and during recovery Hernak opened the stitches. He was found in the morning with his intestines exposed and was rushed to the hospital. Somehow, he survived this. Hernak now lives in a large enclosure on a forested hillside at Senda Verde. Like Tarkus the bear, he seems endlessly curious and energetic. As always, the reasons for the decline in jaguars is multifaceted: habitat destruction from deforestation to an increasing number of wildfires; killing by livestock owners who pay their employees extra to shoot them, to feed an increased demand from China for the fangs of the jaguars. The supposed good luck, fortune, protection, and vitality offered by jaguar teeth—merely an extension of the Chinese belief that Asian tiger parts offer the same benefits—is at the heart of the demand. Offering $100 to $400 per tooth for jaguar fangs, the money to be made is too hard for many to resist. In addition to the skins and skulls, even the testicles are prized in China—as an aphrodisiac. (This is as insane as believing the same about rhino horn.) Chinese companies are going into partnership with the Bolivian government, stripping National Parks of resources, which makes matters worse. With the cooperation of the local prison system, Chinese nationals have created a thriving industry in which inmates are forced to create products such as purses and bags...

Najin and People in the Fog - Najin and Fatu Ol Pejeta Conservancy, Kenya Najin is one of the last two northern white rhinos in the world. When her daughter, Fatu dies, the species...

CARMEN CHURA Little by little, they built their house. Carmen worked as a bricklayer’s assistant with her husband, with whom she had two children. They were in the process of adding...

Nick Brandt is an English photographer who focuses his work around humanity’s destruction of the natural world. He spent nearly two decades photographing African wildlife and former ...

Nick Brandt is an English photographer who focuses his work around humanity’s destruction of the natural world. He spent nearly two decades photographing African wildlife and former ...

An alpha lion, yawning in the early morning hours in the Masai Mara, Kenya.

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment...

Black and white photography.

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Leandro Franco Diamonds are forever, 2020 75 x 60 inches 175 x 150 cm Archival Pigment Print Edition of 3 Framed 60 x 48 inches 150 x 120 cm Archival Pigment Print Edition of 5 Fra...