Items Similar to Waves, Los Angeles
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Sarah HadleyWaves, Los Angeles2008
2008
About the Item
Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist.
Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery, Afterimage Gallery, and the dnj Gallery. Her work has been shown in festivals and art fairs in Italy, France, Portugal, China, Argentina, India, and Australia.
- Creator:
- Creation Year:2008
- Dimensions:Height: 30 in (76.2 cm)Width: 20 in (50.8 cm)Depth: 0.2 in (5.08 mm)
- More Editions & Sizes:12 x 18, Edition of 11 + 1AP Price: $1,45020 x 30, Edition of 7 + 2 APS Price: $2,10030 x 45, Edition of 3Price: $2,900
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU2499214207332
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
- ShippingRetrieving quote...Ships From: Los Angeles, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Oregon Coast, USABy Sarah HadleyLocated in Los Angeles, CAEach photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- Untitled (from the series A Bee in the Rose)Located in Los Angeles, CAErica Martin captures a fly in a moment of stillness, perched on top of a flower. While flies are commonly associated with filth and decay, they are also essential to floral blooms a...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- Untitled (from the series A Bee in the Rose)Located in Los Angeles, CAErica Kelly Martin is an artist and photographer, based in Los Angeles, whose work centers on recurring themes of identity, transformation, and the paradox of human existence, conden...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- Snowfall, ChicagoBy Sarah HadleyLocated in Los Angeles, CAEach photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- Snowfall, ChicagoBy Sarah HadleyLocated in Los Angeles, CAEach photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Only 3 or 4 remain in each size! Sarah Hadley's narrative work focuses on memory,...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- AwningsBy Sarah HadleyLocated in Los Angeles, CAThis image is from Sarah Hadley's series Lost Venice. Each photograph is hand printed on Canson Baryta Paper, and is signed and editioned by the artist. Sarah Hadley is a Los Angel...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
You May Also Like
- 'Into The Beyond'. Wild nature mountain panorama sky snow forest landscape whiteBy Sophia MilliganLocated in Penzance, GB'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Giclée, Archival Pigment
- 'Last Light' Limited edition photograph. Yosemite Mountains Trees LandscapeBy Sophia MilliganLocated in Penzance, GB'Last Light' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich layers in the vast...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment
- NYC From Empire (from New York series )By Carlo BevilacquaLocated in Milano, ITFoto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...Category
Early 2000s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Pigment
- NYC From Empire (from New York series )By Carlo BevilacquaLocated in Milano, ITFoto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...Category
Early 2000s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Pigment
- NYC Reflection (from New York series )By Carlo BevilacquaLocated in Milano, ITThis photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & WhiteCategory
Early 2000s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Pigment
- Twilight #19, Gathering - Silver Birch Tree - Black and White Landscape PrintLocated in London, GBA stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...Category
2010s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Pigment