Shirin Neshat

Offerings

2019

Artist: Shirin Neshat Title: Offerings Year: 2019 Medium: Digital print on Fuji Crystal Archive Matte paper, hand signed (verso) Sheet: 6 × 6 in (15.2 × 15.2 cm) Condition: Mint Cert...

Artist: Gregory Crewdson Title: Untitled, Unreleased #4, 2003 Year: 2003, printed 2023 Medium: Digital pigment print, hand signed in ink Sheet: 11 × 14 in 28 × 35.5 cm Condition: Mi...

Artist: Damien Hirst Title: 'FRUITFUL' (SMALL) H8-2 Year: 2020 Medium: Laminated Giclée print on aluminium composite panel Edition: 3308; digitally signed and numbered on publisher'...

Laminated Giclée prints on aluminium composite, screen printed with glitter 39.37 x 39.37 in. (100 x 100 cm.) each Signed and numbered on a label affixed to the reverse (each) I. W...

Artist: Invader Title: Rubik Shot Red Marilyn NVDR1-4 Year: 2023 Medium: Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg Edition: 774; hand signed and numbered ...

Artist: Damien Hirst Title: 'FRUITFUL' (LARGE) H8-1 Year: 2020 Medium: Laminated Giclée print on aluminium composite panel Edition: 1928; digitally signed and numbered on publisher'...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...

Edition of 1/2 The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a so...