Terry O'Neill

Audrey Hepburn in the Pool

1967

Slim Aarons Patsy Pulitzer, Private Transport 1955 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Patsy Pulitzer rummag...

Slim Aarons King of Jazz 1949 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity 1949: Photographers taking pictures of A...

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the...

Soho Waiters Race, 1955 Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, in London's Soho, 1955 Estate stamped and...

Slim Aarons Burlington Arcade 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Shops in Burlington Arcade, which r...

Slim Aarons Burlington Arcade 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Model turned fashion editor turned ...

Titled, dated and artist stamp on print verso. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 finding wo...

Chuck Howard was a favorite model of artists Paul Cadmus and Jared French and muse to Lynes, who captured both the erotic and everyday moments in their re...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...