Unknown

Reportage from Albania - Street of Tirana - Vintage Photograph - Late 1970s

Late 1970s

Moscow parade is an original modern artwork realized in the end of 19th century by Karl Bulla. Original black and white photograph. The artwork depicts a parade in Moscow. Include...

Pilotis House - Beach in Brazil - Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Artificial Lake in Brazil- Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Feminist movement, Divorce Right is a vintage black and white photograph realized in the1960s. Good conditions. With the stamp of copyright on the rear.

Night view Rio De Janeiro - Vintage b/w Photo realized in the 1970s. Copyright by press Agency Credit Photo, N. Drei. With some handwriting on the rear. Stamped on the rear. Good ...

Candidate for U.S. Vice Presidency Acknowledges Ovation is a black and white photo realized in 1944. In acknowledgement of the ovation accorded senator Harry S. Truman by cheering delegates a the Democratic Party...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that...

Palm Desert, Archival film photograph with frame, 2019 Raised in the American West, this region has resonated in mythical proportions within Antonia Stoyanovich...

Framed dimensions 38.5 x 46.25 in. Woven museum quality archival print Photograph was taken by the late Fernando Bengoechea and hand-woven by br...

In images such as this, the influence of Ansel Adams and the other members of the group f.64 is clearly evident. The group f.64 was intent on truth in the medium of photography, wanting to push the camera to see even more clearly than the human eye. To do this, they used the small aperture, marked by the f-stop 64, which allows the camera to have an expansive depth of field. In this image, the earthy and sensuous textures of the brick and stone walls stand in direct contrast to the clean lines and graphic finish of the Route 66 sign. Ferderbar's mastery of the camera as an instrument brings out these contrasts following the legacies of the earlier American masters. 10 x 8 inches, image 13.75 x 11.5 inches, sheet 16.13 x 13.88 inches, frame Signed lower right Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to inhibit fading, and housed in a modern profile silver finish wood moulding. ARTIST STATEMENT: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. -Tom Ferderbar

Black and white landscape photograph was done by photographer Pat Truax. This photograph showcases the Sabbttier process or the results of solarization. The photograph is not framed....

Concorde - Limited edition pigment print - Limited Editions of 5 Paris under the snow, France, 2005 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment print available sizes ( Image size , the white margin is not counted) : 33.3 x 50 cm / 12.99 x 19.68 in. - Edition of 5 50 x 75 cm / 19.68 x 29.53 in. - Edition of 5 67.7 x 101.60 cm / 26,373 x 40 in. - Edition of 5 Sam...