Brett Weston

Untitled (Sand Dunes)

1946

Signed on the front of the mount. The image was made by Morley Baer in 1966. This print was made later, before the artist's passing, and is signed by the artist.

This highly important example of one of Adams’ most famous images has an exceptional tonal character. In 1960, Ansel made this image with a Hasselblad camera while driving towards the Ahwahnee Hotel, located within the boundaries of the National Park. As one of Ansel Adams’ iconic and enduring masterpieces, “Moon and Half Dome...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs. Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...

Berenice Abbott learned photography from the artist Man Ray when she was his studio assistant in Paris in 1923-1925. It was in Paris where Man Ray introduced her to the work of Eugèn...

Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs. Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...

Signed by the photographer.

Michael Dweck "Mermaid 54" from the Montauk - East End series. Edition 5/5. Silver gelatin print, selenium toned by hand. A signed label is shipped once sold.

GELATIN SILVER PRINT ON BARYTA Edition 1/2+Ap / 2022 - Printed and signed by artist. Mounted on aluminum dibond, handmade walnut frame, natural, anti-reflection glass, UV 70, metal corners for wall mounting. Ismael Picker-Schiebel 1989 lives and works in Waidhofen an der Ybbs and Vienna 2022 - Studis Fine Arts, Sculpture and Space with Prof. Hans Schabus at the University of Applid Arts Vienna 2017 - Studis Fine Arts, Photography with Prof. Gabriele Rotheman at the University of Applid Arts Vienna 2015-2016 - Photographic training at fotoK Center for Photographic 2005-2014 - Training as a farrier and self-employed EXHIBITIONS Kill your Darlings, Singersrasse 27, Wien, A (Solo) Stone in a Glass House...

GELATIN SILVER PRINT ON BARYTA Edition 1/2+Ap / 2022 - Printed and signed by artist. Mounted on aluminum Dibond, handmade walnut frame, natural, anti-reflection glass, UV 70, metal corners for wall mounting. Ismael Picker-Schiebel 1989 lives and works in Waidhofen an der Ybbs and Vienna 2022 - Studis Fine Arts, Sculpture and Space with Prof. Hans Schabus at the University of Applid Arts Vienna 2017 - Studis Fine Arts, Photography with Prof. Gabriele Rotheman at the University of Applid Arts Vienna 2015-2016 - Photographic training at fotoK Center for Photographic 2005-2014 - Training as a farrier and self-employed EXHIBITIONS Kill your Darlings, Singersrasse 27, Wien, A (Solo) Stone in a Glass House...

GELATIN SILVER PRINT ON BARYTA Edition 2/5+Ap / 2022 - Printed and signed by artist. Mounted on aluminum dibond, handmade frame, white, metal corners for wall mounting. Ismael Picker-Schiebel 1989 lives and works in Waidhofen an der Ybbs and Vienna 2022 - Studis Fine Arts, Sculpture and Space with Prof. Hans Schabus at the University of Applid Arts Vienna 2017 - Studis Fine Arts, Photography with Prof. Gabriele Rotheman at the University of Applid Arts Vienna 2015-2016 - Photographic training at fotoK Center for Photographic 2005-2014 - Training as a farrier and self-employed EXHIBITIONS Kill your Darlings, Singersrasse 27, Wien, A (Solo) Stone in a Glass House...

René GROEBLI (*1927, Switzerland) 521, 1952 Vintage silver gelatin print on Baryta paper Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.) Sheet 34 x 23 cm (13 3/8 x 9 in.) Unique Framed Signed and dated on verso This photograph is part of the MoMA permanent collection. René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR. In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996. With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...