Bruno

Surrealist Composition with Dolls

Jo Ann Callis (American, b. 1940); Gelatin silver print; Signed, dated and numbered 3/10 Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...

From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

Hand signed, titled and dated verso. Stephan Brigidi was born in Providence, Rhode Island in 1951, and is a widely published artist whose work has been...

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (female nude manikin beside a snowy highway at dusk ), 1999 in the colection of Harvard University art museum where it is described as aInk jet digital print Born in 1958 in Long Branch, New Jersey, Long currently lives and works in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. Published by Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay...

JoAnn Callis (1940- American, Contemporary) Baby Color photograph, hand signed in pencil en verso, dated 2000, and numbered 4/200 Upon magnification, it appears to be some kind of digital print, similar to a half-tone, but composed of fine lines rather than dots. It is on heavy wove printmaking paper, the sheet measures 17" x 14". Sight: 6.25" x 6" . Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken in photography, she was encouraged by Heinecken to explore things within her mind. Both sensual and unsettling, these scenes showcase erotic imagination in its many forms, all intimate and deeply human. Although the work may sound like a very contemporary investigation of desire, it was made some 40 years ago, predating the staged photographs of Cindy Sherman and Gregory Crewdson. In 1975, while still a student at UCLA, a year before finishing her Masters in Fine Arts, she was offered a position to work at California Institute of the Arts (S. CA), where she works up until now (2017). Callis's work is primarily surrealist. Thematically, she has traditionally been invested in drawing attention to and complicating domestic spaces and the role of motherhood. These characteristics are demonstrated in pieces such as Dish Trick (1985) Publications Woman Twirling. Los Angeles, CA: J. Paul Getty Museum, 2009. Text by Judith Keller. Decor. Thistle & Weed, 2013. Essay by Jennifer A. Watts. Other Rooms. New York: Aperture, 2014. Select public collections: Museum Of Modern Art, New York. Los Angeles County Museum of Art, Los Angeles. J. Paul Getty Museum, Los Angeles. Hirshhorn Museum and Sculpture Garden, Washington, D.C. Gallery Min, Japan. References Bohnacker, Siobhan (March 6, 2014). "Jo Ann Callis's Color Work". Drohojowska-Philp, Hunter. "Culture Monster All the Arts, All the Time" Cecilia Alvarez...

Abstract Surrealist Photo collage with painting. Mixed Media with or about Amos Keinan the Israeli Playwright and journalist. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an Israeli painter and sculptor. Biography Peter Martin Gregor Heinrich Hellberg (later Yigal Tumarkin) was born in Dresden, Germany. His father, Martin Hellberg, was a German theater actor and director. His mother, Berta Gurevitch and his stepfather, Herzl Tumarkin, immigrated to Mandate Palestine when he was two. Tumarkin served in the Israeli Navy. After completing his military service, he studied sculpture in Ein Hod, a village of artists near Mount Carmel. Art career Igael Tumarkin, 1980 Among Tumarkin's best known works are the Holocaust memorial in Rabin Square, Tel Aviv and his sculptures commemorating fallen soldiers in the Negev. Tumarkin is also a theoretician and stage designer. In the 1950s, Tumarkin worked in East Berlin, Amsterdam, and Paris. Upon his return to Israel in 1961, he became a driving force behind the break from the charismatic monopoly of lyric abstraction there. Tumarkin created assemblages of found objects, generally with violent Expressionist undertones and decidedly unlyrical color. Hebrew. His determination to "be different" influenced his younger Israeli colleagues. The furor generated around Tumarkin's works, such as the old pair of trousers stuck to one of his pictures, intensified the mystique surrounding him.Tumarkin has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones...

"This work is a collaborative piece I produced with a traditional fan-making master. Each folding fan was carefully crafted, colored and arranged to complete the scene. Using the traditional motif of the fan, I tried to reinterpret the meaning of true-view landscape painting, through which painters of the Joseon Dynasty sought not to just describe the look of nature but to portray the essence of nature itself. Koreans traditionally painted landscapes onto fans and I, reversely, use the fans themselves to build a landscape, thus juxtaposing the relationship of fans and landscape. The woods made with paper fans overlapping like fish scales suggest a self-portrait of a gloomy psychology as well as an expression of various complex emotions such as inner fear and anguish that restrain me. Depicting a very fundamental human reverence and fear toward the sublime, dark, and ever changing nature of the night forests...

"The patterns in this piece were derived from the places of childhood play and the memories of me hiding myself inside a closet as a place of escape. The piece also involves a series of occurrences that happened in childhood relationships. To imply the state of emotional chaos, Op art was employed in tactfully expressing the messiness of a room; and by turning mere boudoir items, or sewing tools into ones that seem aggressive and disquieting, I tried to evoke the fear that a child has when facing changes to the world they are familiar with. It also tells that unforeseen difficulties may lie in wait nearby." _JeeYoung Lee...

2003 30 x 42 inches each 54 C-Print posters in original case All in excellent condition, original case, unframed. A collection of 54 designs by a variety of well-known creatives, realized on bodies by M.A.C cosmetics' artists. This set of posters is the origin from which the M.A.C deck cards was created. Extremely rare to come by. Inspired by the irreverent imaging of M.A.C Cosmetics, the creative teams of M.A.C and Assouline got some of the most renowned designers, musicians, and artists to create unique body designs that became a provocative set of images. All the designs submitted were not only original and creative but reflected the individual personalities of the well-known participants. Models and artists donated their time and subjected themselves to long hours of nude body paintings, re-creating the images that photographer Richard Lohr has captured with his camera. The overall shipping weight of the lot is 170 lbs each. The lot will be shipped in the original case - 12 x 34 x 46 in. The list of people featured in these images is what makes the collection truly special, some of them are precicely the people you would never expect to see in body paint: Moheib Fashion Designer Tylet Hays Artist James Gager Creative Director Mac Cosmetics Pink Musician Richard Lohr Photographer Collete Dinnigan Fashion Designer Angela Adams...

Jerry Uelsmann. Psycho House, 1978. Image Size; 18.75 x 14.5" (paper size: 20 x 16"). Framed 30 x 27". Signed, dated and titled on print verso including studio stamp. A pioneer in ...

George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options are also available) Other la...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...