A K Nicholas

Dirt Road Enquiry, Photograph, Archival Ink Jet

2018

Paddington Basin no4 is one of a series of signed, titled and numbered digitally manipulated images printed on 310 gsm Hahnemuhle German Etching paper. The image size is 64cm x 90cm,...

Color photograph of Orchids on black. Printed on Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artis...

One image that is part of an ongoing series of signs, painted subjects and language.. All Prints are available in a variety of sizes: 6x9” $100 10x15” $300 12x18” ...

Color Photograph of a Male Betta Fish swimming on black. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

Landscape photograph of the ocean and mountains in Patagonia, Chile. Printed on Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of a...

Photograph of 4 male betta fish swim together against black. Printed on Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an officia...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is ...

Burned (Self Portrait), 1999 Edition of 2/10, 20x20cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on a Polaroid. Signature label and Certificate. Not ...

Camisole - 2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, Edition of 5, Digital archival pigment print 
based on an original Polaroid
 on beautiful PHO...

RANONKEL #diptych, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40cm each, 70x40cm installed. Digital archival pigment print based on a Polar...

THE STORY OF MISS ERIS #01 /2015 [From the series Les Foxy Femmes de Carmen De Vos] Art print based on an expired Polaroid Mounted on DILITE 2mm - 30x39x3cm - matt coating Embedded i...