Carmen de Vos

Julius #02 [From the series 9th of April] - Polaroid, Color

2007

Blueprint - 2019 30x48cm, Edition of 10 plus 2 Artist Proofs. Archival Print based on the original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounted. Exhibition: Reclaim Photography Festival: Reclaiming Our Cultural Landscape, Black Country...

Julia #03, 2018 [Self-Portrait in the series Need to be] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, ...

Julius #02, 2018 [From the series 9th of April] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 1...

Ghost Story - 2021 Edition of 10 plus 2 Artist Proof, 25x20cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certif...

Ghost Story - 2021 Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. 25x20cm, Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not ...

In the witch's cave (Journey to the Center of the Earth) - 2020 60x50cm, Edition of 10 plus 2 artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on the orig...

For a contemporary color photograph of a spiral staircase in Rome Roberta Fineberg captures the symmetrical cylindrical abstract quality of a building stairwell n the Eternal City. F...

Joy of Color, 2002 by Yasuhiro Ishimoto is a contemporary color photograph from an extensive documentary photography series of Japan that Nagano shot on assignment. The image is hand-signed on recto (front left margin) by the photographer. This is an archival pigment print on Hahnemule Fine Art paper printed 2005 under the direction of the photographer. The 19" x 13" work is from the portfolio "Masters of Modern Photography. Japan," Tokyo. Edition available: 87/100. Provenance: Private Collector *** Artist’s Bio: Yasuhiro Ishimoto a Japanese photographer was born in 1921. His work was chosen by Edward Steichen to appear in the Family of Man exhibition and catalogue at the Museum of Modern Art in 1955, and Steichen also selected his work for a three-person exhibition in 1961. From 1973-1993 Ishimoto produced a number of in-camera color abstractions that appeared as covers for a Japanese magazine. Ishimoto's exhibitions, include New Japanese Photography at the Museum of Modern Art in 1974, solo shows in 1960 and 1999 at the Art Institute of Chicago, a retrospective in 1989–1990 at Seibu Museum of Art in Tokyo, and an exhibition at the National Museum of Modern Art, Tokyo, in 1996. His later photography addressed the transitory nature of life as shown in photographs of clouds...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Through an 800mm lens, late afternoon light dissolves a glass skyscraper into a glistening and glimmering rectangle. Atmospheric conditions assist the optical illusion where the peri...

Hundreds of Red Roses, Pink Roses, and Yellow Roses in stacked blocks flank a 19th Century nude marble statue of a nude young girl. In a sense, the...

'Cicatrices (3)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Scars of birthing in the unfolding leaf pattern of the giant graceful Agave. The sensual contradictions of silken flesh and the protective spines are a contemplation of motherhood's journey, the unfolding narrative impressed eternally upon the skin. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in joy and pain; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work with time, and the immeasurable spaces of experience within... tangible traces, evidence left behind, records; process in action, stilled'. 40 x 60 inches Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. ________________________________ About The Artist Sophia Milligan...