Christopher Payne

Unclaimed Cremation Urns, Oregon Statde Hospital

2005

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Limited edition photograph.

John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...

`Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. SOLD OUT 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition...

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

'Youth and the Wise' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Woven together into richly te...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

'Spring Couplet' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

'The Optimism of Spring' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...