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Howard LewisColor Photograph - Architects of Time #9 Still Life, Abstract2020
2020
About the Item
This is Untitled #9 from the Architects of Time series.
This series is a visual exploration about how time is experienced. From birth to death, life is infused with time segmented intervals. How we use our time either consciously or unconsciously to achieve our goals is our own design. Each image is a digital combination of two separate still life photographs; clock faces and handmade mechanical drawings of machine parts from 1911. They are digitally merged in a variety of complex manipulations for the final image.
About Howard Lewis:
Lewis’ artistic practice often explores science, engineering, technology, and innovation. His intention is to create work that communicates the importance of the search for truth based on science and how the physical world looks and works. The images engage physics, mechanics and creative thinking that often evokes an innovation process. Many photographs are abstract or still life however, he also has a strong affinity for the environment, reflected in his photographs that often include elements of water and sky.
Lewis started photographing when he was a teenager and continued through film school. He went on to work for many years as an advertising and editorial photographer where he photographed for international clients like Taylor Wines and General Foods. Lewis’ fine art photographs have been exhibited in galleries and cultural centers internationally, including the Gladstone Regional Museum and Gallery in Queensland, Australia, Florida Museum of Photographic Arts in Tampa; the James A. Michener Art Museum in Doylestown, Pennsylvania; the Alden B. Dow Museum of Science in Midland, Michigan; the New York Center for Photographic Arts; He is also represented in several major corporate collections.
Printing:
Actual image is printed slightly smaller than paper size with a ½ or 1 inch border on the longest side. The other side will vary in dimensions according to the image proportions. Ex: Paper size is 17 x 22. Image might be 16 x 20. This image is offered in three sizes.
Photographs are digital archival pigment prints and printed to museum standards. All are titled or numbered, signed and dated with edition noted on the reverse.
Editions:
17 x 22 Edition of 10 + 2AP
20 x 24 Edition of 7 + 2AP
30 x 40 Edition of 3 + 1AP
Shipping:
Photographs are shipped rolled and packed in heavy duty ultra-durable shipping tubes designed for fragile shipments. Photographs are not offered in frames or mattes. Photographer will ship ASAP usually within a few days for smaller sizes and communicate when it ships.
Any questions, please contact the artist directly through 1stDibs and he’ll be happy to have a conversation.
- Creator:Howard Lewis (American)
- Creation Year:2020
- Dimensions:Height: 17 in (43.18 cm)Width: 22 in (55.88 cm)
- More Editions & Sizes:20 x 24Price: $1,50030 x 40Price: $2,400
- Medium:
- Period:
- Condition:
- Gallery Location:White Plains, NY
- Reference Number:1stDibs: LU173829563142
Howard Lewis
Lewis started photographing when he was a teenager and continued through film school. He went on to work as an advertising and editorial photographer where he photographed for international clients like Taylor Wines and General Foods. Lewis’ fine art photographs have been in several museum exhibitions including the Michener and Dow museums as well as in major corporate collections. Even while he did commercial assignments, Lewis always photographed for himself as an expression of a specific vision. He mostly photographed in black and white, and studied with O Winston Link, Joyce Tenneson and many others. Lewis developed an interest in creating images related to science and innovation. He was fortunate to meet prolific inventor and scientist Dr. Edwin Land (CEO and Founder of Polaroid) which furthered his passion for integrating science into his photographs. Polaroid materials became part of his way of sketching photographically. Eventually, he left the commercial business and photographed extensively for self-expression. He ventured into parallel initiatives such as new product development (he holds three patents) and creating welded metal sculpture. All these activities influenced his photographs, especially sculpting which became immensely important to his growth in creating his still life images. Lewis’ photographs have been exhibited in galleries and cultural centers internationally, including the Gladstone Regional Museum and Gallery in Queensland, Australia, Florida Museum of Photographic Arts in Tampa; the James A. Michener Art Museum in Doylestown, Pennsylvania; the Alden B. Dow Museum of Science in Midland, Michigan; the New York Center for Photographic Arts; the Black Box Gallery in Portland, Oregon; the Courtyard Gallery in Connecticut; and the Grey & Gove Gallery in New York City.
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Established in 2005
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