Julian Wasser

Joan Didion in front of her Stingray Corvette, 1968

1968

Roman Polanski on Cielo Drive, LIFE Magazine, 1969 Silver Gelatin Print Edition size: 15 16 x 20 inches 20 x 24 inches 30 x 40 inches 40 x 60 inches Art...

American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production ‘One Million Years BC’, di...

Taken at Rod Stewart's party at the Greenhouse Restaurant, 1976 Silver Gelatin Print Edition size: 15 Available sizes: 16 x 20 inches 20 x 24 inches 30 x 40 inches 40 x 60 inches ...

Photographed at Lou Adler's Roxy Nightclub. David Geffen was a partner in the Roxy Nightclub. Silver Gelatin Print Edition size: 15 Available sizes: 16 ...

French actress Brigitte Bardot on the set of 'Les Petroleuses' a.k.a. 'The Legend of Frenchie King', directed by Christian-Jaque in Spain, 1971. Paper size: 24 H x 20 W inches Edit...

Vault Interior II Chicago, 2015 119 x 250 cm Edition size: 12 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance framing, and a UV 99 ...

Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.

Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.

Image 25 x 38 cm sur papier 40 x 50 cm. "Stormchasing in France. (French original title : "extranuageux sur Marne") It is quite harder to capture thunderstorms in France than in the...

Winter morning at Paris Gare de Lyon railway station, Paris, France. As many people go for affaires, to see friends or to study, a sole couple is coming b...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Habana Libre series