Mitchell Funk

Wall Street, Negative Color, Abstract Photography by Mitchell Funk

1970

The history of Sci-fi art and illustration has had a rich and storied past. Generation of illustrators and painters have rendered their fantastic ideas on paper and canvas. The decades of the 1920’s - 1940’s saw the imaginative but crudely drawn pulp magazine gouaches of Frank R Paul...

Surreal LandScape with Four Pyramids Cover Popular Photography Magazine, November, 1977 Mitchell Funk is a pioneer of Sci-Fi photography. He did wo...

Photographer Mitchell Funk revisits many popular tourist locations and shoots them in a way that perhaps millions of tourists never imagined. In "Billionaires Row from Central Park Reservoir...

The same year, the iconic science fiction movie Close Encounters of the Third Kind was released, visionary still photographer Mitchell Funk shot this SciFi-like image. It's of an un...

Pioneering SciFi photographer Mitchell Funk experiments with altered realms of reality by juxtaposing two landscapes of unnatural color to form a never-before-seen original vision. A single silhouetted figure looks out on a day-glow yellow sea leading to a dreamscape of trees. The yellow of water is picked up in the trees to unify the different perspectives. Published Popular Photography Magazine, February 1976...

The alignment of the planets comes together in a perfect magical moment. A man sets foot on a terrace - an airplane comes into frame - golden light strikes the perfect pitch - atmosp...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique approach and sensitive insight that allows Bob to not only capture the energy of his subjects but to also create a visceral, intimate experience for the viewer. His distinctive style is globally recognized as his work has been displayed in multiple Ralph Lauren storefronts across 4 different continents and has earned him a spot at many prestigious private art collections and galleries worldwide. His artistic accomplishments have also earned him the Clio Award along with extensive press coverage in publications such as Traditional Home, The Telegraph, The Guardian and more. While Bob is best known for his large equestrian portraits, his newest venture involves a subject that is as equally sentimental to him, seascapes. The ocean itself is of particular interest to Bob because of the consistency it has had throughout his life. From his childhood years spent at Rockaway Beach...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 60" 30" x 90" 40" x 120" Editions of 3 + 2 Artist Proofs Tyler Shields is a p...

Mist and Ice, Greenland, 2019 by Jean-Michel (JM) Voge captures the beauty of an eco-friendly natural world, an image split in two (diptych), drawing our attention to climate change ...

Noverre - Horse Landscape 2, 'Mane', 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14.5 x 37 inches approx. Ed...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality. Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness. The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time. The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...