Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Shai Kremer
Urban Warfare Training Center, Panorama, Tze’elim

2007

About the Item

This Image is at the collection of The Metropolitan Museum of Art. New York, NY. The Urban Warfare Training Center is a mock city located in Israel's Tze'elim military base in the Negev desert. Built by the United States Army Corps of Engineers and funded largely through U.S. military aid, the 7.4-square-mile generic city consists of modules that can be reconfigured by mission planners to represent specific towns. Known as Baladia City-the Arabic word balad means village-it is used by the Israel Defense Forces as well as by the U.S. Army to prepare soldiers for urban warfare. The simulated city includes shops, a grand mosque, a hospital, a Kasbah quarter, and a cemetery that doubles as a soccer field, depending on the scenario. The facility is equipped with an audio system that simulates helicopters, mortar rounds, and prayer calls. During training exercises, Arabic music is played in the background. Kremer's panoramic photograph-part of larger body of work focusing on the impact of Israel's ongoing military engagement on the natural landscape-captures and intensifies the haunting artifice of this simulated desert town. Images from the series Infected Landscape are at several MUSEUMS COLLECTIONS: Metropolitan Museum of Art. New York, NY SF MoMA - San Francisco Museum of Modern Art. San Francisco, CA Museum of Fine Arts. Houston, TX Museum of Contemporary Photography. Chicago, IL Israel Museum. Jerusalem, Israel Tel Aviv Museum of Art. Tel Aviv, Israel Shpilman Institute for Photography Herzliya Museum of Contemporary Art. Herzliya, Israel Museum on the Seam. Jerusalem, Israel Chapman Museum. New York, NY Bowdoin College Museum of Art. Brunswick, ME Rose Museum at Brandeis University. Waltham, MA Harvard University. Cambridge, MA Musée de la roche-sur-Yon, France Nevada Museum of Art, NV Exhibition History: 2019 Infected Landscape - Mixer RowHouse Washington DC 2015 Infected Landscape -Unfamiliar Asia - Beijing Photo Biennial, Beijing China 2012 Infected Landscape - Le Bleu du Ciel Gallery. Lyon, France 2011 Infected Landscape & Fallen Empires - Galerie Filles du Calvaire. Paris, France Infected Landscape - FMoPa. Tampa, USA 2010 Infected Landscape - FMoPa. Tampa, USA 2009 Infected Landscape - Houston Center for Photography. Houston, USA Infected Landscape - Julie M Gallery. Toronto, Canada Infected Landscape Israel - M. K. Ciurlionis National Art Museum,. Kaunas, Lithuania 2008 Infected Landscape Israel - Stiftelsen 3,14 Hordaland International Art Gallery. Bergen, Norway Infected Landscape - “ART Tel Aviv” , Julie M Gallery. Tel Aviv, Israel Broken Promised Land - Julie Saul Gallery. New York, USA Broken Promised Land - Robert Koch Gallery. San Francisco, USA Infected Landscape Israel - Julie M Gallery. Tel Aviv, Israel 2005 Infected Landscape - SVA Eastside Gallery. New York, USA Infected Landscape - Blue Sky Gallery, Portland, OR USA
More From This SellerView All
  • Shooting Defense Wall, Gilo Neighborhood, Jerusalem, 2004 (Version 2)
    By Shai Kremer
    Located in New York, NY
    Images from the series Infected Landscape are at several MUSEUMS COLLECTIONS: Metropolitan Museum of Art. New York, NY SF MoMA - San Francisco Museum of Modern Art. San Francisco, CA...
    Category

    Early 2000s Conceptual Color Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • Israel - Gaza Border
    By Shai Kremer
    Located in New York, NY
    Images from the series Infected Landscape are at several MUSEUMS COLLECTIONS: Metropolitan Museum of Art. New York, NY SF MoMA - San Francisco Museum of Modern Art. San Francisco, CA...
    Category

    Early 2000s Conceptual Color Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • W.T.C: Concrete Abstract#12
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • W.T.C: Concrete Abstract#10 (panorama)
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Pigment, Archival Ink, Archival Paper

  • W.T.C: Concrete Abstract#11
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Color Photography

    Materials

    Archival Paper, Archival Pigment, Archival Ink

  • W.T.C: Concrete Abstract#13
    By Shai Kremer
    Located in New York, NY
    Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...
    Category

    2010s Abstract Abstract Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

You May Also Like
  • Sci Fi Close Encounters with Orange New York City
    By Mitchell Funk
    Located in Miami, FL
    Conceptual Photographer Mitchell Funk created a Sci-Fi image 2 years before the iconic Close Encounters of a Third Kind was released in 1977. Funk's work is really two images combine...
    Category

    1970s Conceptual Landscape Photography

    Materials

    Archival Pigment, Archival Paper, Archival Ink

  • Notre Dame 12 - Contemporary, 21st Century, Large Format Polaroid, Paris, Icons
    By xulong zhang
    Located in Morongo Valley, CA
    Notre Dame 12 (Paris) - available Editions 1, 2, 3 of 10 + 2AP. Archival Pigment Print, photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted. ...
    Category

    2010s Conceptual Landscape Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Notre Dame 11 - Contemporary, 21st Century, Large Format Polaroid, Paris, Icons
    By xulong zhang
    Located in Morongo Valley, CA
    'Notre Dame 11' - Editions 1, 2, 3 of 10 + 2AP. Archival Pigment Print, Photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted. Signed, embossed...
    Category

    2010s Conceptual Landscape Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Notre Dame 9 - Contemporary, 21st Century, Large Format Polaroid, Paris, Icons
    By xulong zhang
    Located in Morongo Valley, CA
    'Notre Dame 9' - Editions 1, 2, 3 of 10 + 2AP, archival Pigment Print, Photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted, Signed, embossed ...
    Category

    2010s Conceptual Landscape Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Notre Dame 11 - Contemporary, 21st Century, Large Format Polaroid, Paris, Icons
    By xulong zhang
    Located in Morongo Valley, CA
    'Notre Dame 11' - available Editions 1, 2, 3 of 10 + 2AP. Archival Pigment Print, photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted. Signed...
    Category

    2010s Conceptual Landscape Photography

    Materials

    Archival Paper, Color, Archival Pigment, Polaroid, Archival Ink

  • Notre Dame 9 - Contemporary, 21st Century, Polaroid, Paris, Icons
    By xulong zhang
    Located in Morongo Valley, CA
    'Notre Dame 9' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...
    Category

    2010s Conceptual Landscape Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment, Color, Polaroid

Recently Viewed

View All