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Stefanie SchneiderRoom No. 503 - Strange Love, analog2010
2010
About the Item
'Room No. 503' (Strange Love) - 2010
128x125cm,
Edition of 5,
analog C-Print printed on Fuji Archive Paper, hand-printed by the artist
based on the Polaroid,
signature label and certificate,
artist Inventory Nr. 6129.01,
Not mounted.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
Shown is a piece of Stefanie Schneider's project 'Strange Love' the sub story of 29 Palms, CA
Love, lost and unrequited leaves its mark in our lives as a senseless pain that has no place in the present. The ex lover experiences the residues of love as an amputee experiences the sensation of a ghost limb. It is the tangible experience of “absence” that has inspired this piece. And it is using the nuances of memory and imagination that I have chosen to explore my relationships with my lover, as he represented himself, as I experienced him and as he was experienced by others...
'strange love' is based on the story of Lance (The Smoke Jumper), Eva (alias Fia) und Stefanie (alias Stella, alias Stevie) who were entangled in a ménage à trois. The project relates to real time events and reflects on love, sexuality, communication between men and women, and perception. The story has been reenacted, reinvented, rendered independently.
strange_love_2004 has been developed parallel to 29 Palms, CA.
Fragments, perceptions, memories, images, words, emotions, visions overlap, comment and outrun each other, become history while still happening, leave at the same time transient and fixed documents: photographs, films, paintings, text. Someone is not there and therefore even more about.
(Maja Maria Liebau, theater critic)
Due to the steady change of perspectives - realities, illusions, dreams on different time lines, the question of truth is impossible to answer. Reality is profoundly subjective and the search for personal happiness is a steady (manic) interpretation of one’s own truth.
Both projects are shown and exhibited together. Both presentations relate to each other. Several exhibitions and publications are accompanying the project to show the different perspectives and interpretations of “truth” and it's fragmentation [ the process of shattering or breaking up into fragments ].
In the end both projects will be joint: A fictitious conclusion about love.
Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more.
FlashART - Sabine Dorothee Lehner (translated from German by Michael Robinson)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2010
- Dimensions:Height: 50.4 in (128 cm)Width: 49.22 in (125 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:
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