Items Similar to Western Flare
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Terrence MooreWestern Flare1971
1971
About the Item
Western Flare
Terrence Moore
Photograph, Archival Pigment Print
Size: 23 x 34.5 inches
SPECIAL EDITION OF 25, PRICE FOR THE HOLIDAYS
Terrence Moore has been up and down and over portions of most all western U.S highways and many secondary roads for much of his life. Route 66 has been a large part of his experience with photos dating from 1970 .
These images are foremost at the moment and are featured in the book 66 on 66 and soon a revised edition ( due in 2024), which will compliment the Centennial of the Mother Road in 2026.
Artist Statement:
My background as a photographer centered on storytelling on a wide variety of topics ranging from the environmental topics, architecture and general Western Americana and working primarily for periodicals and books.
- Creator:Terrence Moore (1944, American)
- Creation Year:1971
- Dimensions:Height: 323 in (820.42 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:Edition of 25Price: $540
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Phoenix, AZ
- Reference Number:1stDibs: LU2623213515162
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
- ShippingRetrieving quote...Ships From: Phoenix, AZ
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Regalia Before The Consul by Greg SingleyLocated in Phoenix, AZGreg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...Category
2010s Contemporary Figurative Paintings
MaterialsOil
- Painted Lodge by Greg SingleyLocated in Phoenix, AZGreg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...Category
2010s Contemporary Figurative Paintings
MaterialsOil
- Crow Before The Eagle by Greg SingleyLocated in Phoenix, AZGreg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...Category
2010s Contemporary Figurative Paintings
MaterialsOil
- Dragon Fly by Greg SingleyLocated in Phoenix, AZGreg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...Category
2010s Contemporary Figurative Paintings
MaterialsOil
- Texas Dancing, Hand Colored Stone LithographLocated in Phoenix, AZTexaz Dancing, Hand colored stone lithograph by Luis Jimenez 26 x 20 inches. For Larry, "Thanks for the book" Stone Lithograph, hand colored by Luis Jimenez. Signed to the great novelist and Academy Award Winner, Larry McMurty, author of Lonesome Dove...Category
1970s Contemporary Figurative Prints
MaterialsLithograph
- Rodeo QueenLocated in Phoenix, AZRodeo Queen 1981 Luis Jimenez Stone Lithograph 42 1/2 x 28 1/2 in. (107.95 x 72.39 cm.), Edition of 50 Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...Category
1980s Contemporary Figurative Prints
MaterialsLithograph
You May Also Like
- Hunter Thompson and Anita Bejmuk at home, Aspen, Colorado, 7 July 2002By Jonathan BeckerLocated in New York, NYHunter Thompson and Anita Bejmuk at home, Aspen, Colorado, 7 July 2002 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Pr...Category
Early 2000s Contemporary Portrait Photography
MaterialsArchival Pigment
- Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010By Jonathan BeckerLocated in New York, NYBunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010 "Trompe l'oeil (and not)" Photographed by Jonathan Becker Contemporary 28" x 28.5...Category
2010s Contemporary Still-life Photography
MaterialsArchival Pigment
- at the Darulaman Palace, Kabul, August 2003By Jonathan BeckerLocated in New York, NYat the Darulaman Palace, Kabul, August 2003 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 15 Certificate of Origin Signed and T...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Pigment
- Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007By Jonathan BeckerLocated in New York, NYChez Zsa Zsa Gabor, Bel Air, California, 5 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Ce...Category
Early 2000s Contemporary Still-life Photography
MaterialsArchival Pigment
- Yanomami, Amazonia, Brazil, January 1995By Jonathan BeckerLocated in New York, NYYanomami, Amazonia, Brazil, January 1995 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 2 of 9 Certificate of Origin Signed and Titled...Category
1990s Contemporary Portrait Photography
MaterialsArchival Pigment
- Chevalier André Leon Talley on the Pont Alexandre III, Paris, 30 June 2013By Jonathan BeckerLocated in New York, NYChevalier André Leon Talley on the Pont Alexandre III at six in the morning, Paris, 30 June 2013 Photographed by Jonathan Becker Contemporary 44" x ...Category
2010s Contemporary Portrait Photography
MaterialsArchival Pigment