Unknown

Man and Universe

1980

Noble lion caught in quintessential and heroic pose against primal sunset sunet. Signed, dated and numbered lower right recto. 4/15 Printed later, unframed, other sizes available . P...

Beautiful blues and magentas frame and formal white tuxedo with a faceless head. Signed and dated on lower right, numbered on verso, 3/15 Printed later, other size available, unframe...

Signed and dated on lower right, numbered on verso 2/15 , unframed. Other sizes available, other sizes available , printed later, Printed on Hahnemühle Fine Art paper

Since the late 1960's Mitchell Funk has pioneered powerful bold and graphic images. His work is about the color and the shape Signature: Signed Dated and numbered lower right 3/15, ...

Shipping should be around $100. Done on assignment for Life Magazine, It was photographed outside Tampico Mexico. Elephants were transported to Mexico from for rehab after training ...

Noble lion caught in quintessential and heroic pose against primal sunset sunet. Signed, dated and numbered lower right recto. 4/15 Printed later, unframed, other sizes available . P...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

“The Invisible Worm” (FRAMED) Photography 20 x 30 in Edition of 5 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag 20” X 30” inch Limited Edition of 5 Brian Zi...

"This work is a collaborative piece I produced with a traditional fan-making master. Each folding fan was carefully crafted, colored and arranged to complete the scene. Using the traditional motif of the fan, I tried to reinterpret the meaning of true-view landscape painting, through which painters of the Joseon Dynasty sought not to just describe the look of nature but to portray the essence of nature itself. Koreans traditionally painted landscapes onto fans and I, reversely, use the fans themselves to build a landscape, thus juxtaposing the relationship of fans and landscape. The woods made with paper fans overlapping like fish scales suggest a self-portrait of a gloomy psychology as well as an expression of various complex emotions such as inner fear and anguish that restrain me. Depicting a very fundamental human reverence and fear toward the sublime, dark, and ever changing nature of the night forests...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...

Burn to Shine, limited edition photograph, archival pigment, signed and numbered From Tom Chambers' series Animal Visions All my life I have held a fas...