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David Yarrow
Nice Hats

2023

About the Item

Nice Hats Montana, September 2023 LARGE 56” x 88” Unframed 71” x 103” Framed Edition of 12 STANDARD 37” x 58” Unframed 52” x 73” Framed Edition of 12 "We took this picture at the rodeo in Montana when we were just larking around. But then I showed it to a few people and they enjoyed the humour. So we have decided that it is available in the usual formats. It probably wont make it into a museum, but it might decorate a few bars in the Rockies." -David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career defining.
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    Los Angeles, California 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61 inches 67 x 87 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "My plan was to find a section of Sunset Boulevard emblematic of Hollywood - it needed to be familiar to all and have some depth. After a great deal of walking up and down, we chose a spot 200 yards east of the entrance to Chateau Marmont, because the billboards looking west were large and well positioned and the hotel and the hotel sign are so iconic. The bend in the road also helped give the frame a compositional balance that I could not find on other sections - such as Sunset Plaza. In my head it was always going to be a wide angle shot. To shut the road down meant shooting first thing on a Sunday morning - which worked as we knew the best light would be sunrise if we were shooting towards the Pacific. Equally, I did not want the sun to rise too much as it would be tough on both the wolf and the model’s eyes. Of course, the model was not your run of the mill model - it was Alessandra Ambrosio - one of the world’s most photographed women. She has a very special look and is so easy to work with. The photograph is as I wanted - very LA, very West Hollywood and jammed with reference points. It’s a little crazy, a little La La Land, but that was the goal. Most of all, to the best of my knowledge, it’s authentic. No one can try and copy it now. "Once Upon a Time...
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