Diana Thorneycroft

Doll Mouth (rose)

2005

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

Jakub Dolejš Text by James D. Campbell That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity. Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level. As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

Jakub Dolejš Text by James D. Campbell That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity. Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level. As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...

That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompa...

That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism...

Guilford, CT. Is a piece from Black and White Paintings, signed on the verso. Pencil, ink, Indian ink, and enamel on Archival inkjet print. Is a unique piece. After meticulously p...

MASSIMO LISTRI Salla delle Niobe, Uffizi, Florence, Italy, 2012 48 x 60 inches 120 x 150 cm Edition of 5 Also available in: 40 x 48 inches 100 x 120 cm Edition of 5 71 x 88.5 inch...

Thierry Mutin is a French multidisciplinary creator, a polymath,born on January 1, 1956. Author, painter and composer, his creations and research works are mainly oriented towards the future of Human specy . He is one of the creators of the Post-Humanist Artistic Movement that was born in Silicon Valley. AUTHOR Thierry Mutin has co-writed, with Elizabeth Hirschmann, a Literary Saga entitled « PREDICTS » which is a powerful mix between sci-fi and astrology. This large-scale project, having required years of research and writing, was created form the outset as a content for an international Full-length film or TV show Series. DIGITAL AND POST HUMAN ART From his first exhibitions in France (1980), Thierry Mutin was part of the trend of fantastic art (Hieronymus Bosch, Alfred Durer, Escher, etc.) and science fiction (Chris Foss...

Black and white original photography by Cyrille Druart. Edition: I/VIII It is the last available. Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and architect, a boo...

Black and white original photography by Cyrille Druart. Edition: II/VIII Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and architect, a book about his new series w...

China Town Lanterns Signature: Signed , dated lower right and numbered verso 4 /15, Unframed, on Hahnemühle paper. Other sizes available. San Francisco