Brian Duffy

E-Type Jaguar on Newly Opened M1 Motorway

1961

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Signed and editioned Edition of 5

Politics Makes Strange Bedfellows 2005 / Printed 2014 Bromoil Print Signed and titled in Russian. Dated and numbered in pencil on verso. Edition of 15 18 x 18 inches.

Signed, titled, & dated in pencil on print verso Gelatin Silver Print Paper - 16"x20", Image 14"x16", Matted - 20"x24"

This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand carved wooden hand finished frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Robert Stivers. Hands, 2001. Unique gelatin silver print.

Robert Stivers. Dancer, 2006. unique one-of-a-kind gelatin silver print.

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his...

I began making photograms in June 2020, due to having an unfinished darkroom at the time of the shutdown. My "Metamorphosis" series, my 3rd alternative process silver gelatin based s...