Loreal Prystaj

Lampshade, picture frame, and my pussy-cat

2019

Table Study No 1, 2021 Fine Art Print on Baryta paper mounted on dibond, framed 140 x 100 x 0.3 cm Framed: 141 x 101 x 4 cm Edition 1 on 3 Loreal Prystaj is an American visual artis...

Table Study No 1, 2021 Fine Art Print on Baryta paper mounted on dibond, framed 140 x 100 x 0.3 cm Framed: 141 x 101 x 4 cm Edition 1 on 3 Loreal Prystaj is an American visual artis...

Still life. A vase with seven sunflowers Series Playing The House, 2020 Fine Art Print on Baryta paper mounted on dibond, framed 101 x 81 x 3 cm Edition 2 on 5 Loreal Prystaj is...

Fountain Head, 2019 Fine Art Print on Baryta paper mounted on dibond, framed 100 x 65 x 0.3 cm Framed: 101 x 66 x 4 cm Edition 2 on 5 Loreal Prystaj is an American visual artist bas...

Dammagletscher Uri 2020 Edition 1, AP. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 144 x 128 x 7 cm. Other ...

Kalakwa 1, Khomas Region, 2018 Edition of 2 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 93 x 3 cm Other editions in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

This is a UNIQUE print in large scale silver gelatin print photography, mounted on disband and framed in a black frame same as in the image featured here. The image showing the showroom is to show the scale of the work "In Situ". The image on the showroom image is of another work no longer available. TITLE: On Top of The World - Villa Prince Rainier, Eze-sur-Mer, France (THE MONTE CARLO SERIES). 1980-2011 Image size: 30 x 45 1/4 in. Framed size: 43 5/8 x 57 7/8 x 2 1/4 inches Unique Print in silver gelatin print mounted on disband and framed THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

UNIQUE PRINT SILVER GELATIN - silver gelatin print mounted on diebond and framed in black frame. THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

Photographie 30x40cm de la dernière série de Jean-Christophe Béchet, Habana Song, tirée par l'auteur lui-même par impression pigmentaire, avec de superbes nuances de noir, dans un to...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. A commuter taking a front row seat up the steep Margit Train in Budapest, H...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. A Venetian women on the move in the early morning hours and back streets of...