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Mitchell FunkGirl Looking Out - Landscape of the City - Landscape of Life2015
2015
About the Item
Enter Mitchell Funk's light-filled world. A column of light isolates a girl who looking at something out of frame. The photograph could be a metaphor for self-absorption or ruminating about one's future. Or it could just be a beautiful city girl caught in beauitful moment. Perhaps it's you Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting and design to found subject matter. Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street photographers, Funk is an abstractionist while being a documentarian. For the last 50 years, Mitchell Funk has endlessly explored the relationship of light, color and shape. These interactions have become the central pursuit of the artist. Mitchell Funk is a pioneer of "Color Photography" In 1970 he participated in one the first "Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur". 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others.
Signed, dated and numbered 3/15 lower right recto, unframed, other sizes available, Printed on Hahnemühle Fine Art paper
- Creator:Mitchell Funk (1950, American)
- Creation Year:2015
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38538119002
About the Seller
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Established in 2005
1stDibs seller since 2016
102 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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