Mitchell Funk

Volleyball in Central Park with Golden Light at the Magic Hour - Impressionist

1971

Light jumps out. Players jump up. Light bounces off a window. Basketball bounces off a backboard. The interplay of extreme light and shadow makes "Street Basketball with Angelic Li...

A black businessman is captured dashing down the street against a colorful wall. The image is slightly blurred, adding a sense of beauty and moodiness to the image and creating harm...

A young woman expresses an internal moment of joy and free expression as she strikes a spontaneous dance pose in Central Park. The scene is a captured moment by street photographer M...

A tourist bus adorned with punchy hi-key graphics passes in front of a soaring Times Square billboard of similar nature. Street Photographer Mithcell Funk captures the precise momen...

A celebration of Life is symbolized by a rooftop Black Jazz Musician hitting the high note just as a fireworks display lights up the New York sky. Signed ...

Birds on Bethesda Fountain in Central Park, New York City. Shipping should be around $100. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and ...

'Lunar Sea' 2019, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. ...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

The hood is falling short (2017) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristin...

Muschi Guerilla #03, 2008 [From the series Goldenbogen & Zouzou] Published in Carmen De Vos's new book 'The Eyes of the Fox' and on the cover of her T...

Lucia at Fourteen (2018) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristina Fonts...

Altstadt Rêveries #01, 2008 [From the series Goldenbogen & Zouzou] Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, edition of 5, Digital archival pigment pri...