Nona Hatay

Vintage Signed Silver Gelatin Photo Tina Turner

A rare black and white photograph of the famous 10th street coffee house gallery in NYC which served as the center of the art, poetry and music scene during the 1960's and 70's, attracting the likes of Andy Warhol, John Chamberlin...

This is a photo of Friedl Dzubas (Abstract Expressionist) at Castelli Gallery, signed in ink and with photographer stamp verso and hand written title.. Over a 50-year span, McDarra...

Man in Wheel Chair , Titled Terminal patient, Bird Cover Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-B...

This is a vintage silver gelatin photo of either Stan Lee or John Romita (I believe it is Romita but I am not sure) overlayed with a comic strip in a surrealist style. John Romita is an American comic-book artist best known for his work on Marvel Comics' The Amazing Spider-Man and for co-creating the character The Punisher. He was inducted into the Will Eisner Comic Book Hall of Fame in 2002. He graduated from Manhattan's School of Industrial Art in 1947, having attended for three years after spending ninth grade at a Brooklyn junior high school Among his instructors were book illustrator Howard Simon and magazine illustrator Ben Clements, and his influences included comics artists Noel Sickles, Roy Crane, Milton Caniff, and later, Alex Toth and Carmine Infantino, as well as commercial illustrators Jon Whitcomb, Coby Whitmore, and Al Parker. Romita entered the comics industry in 1949 on the series Famous Funnies. "Steven Douglas up there was a benefactor to all young artists", Romita recalled. "The first story he gave me was a love story. It was terrible. All the women looked like emaciated men and he bought it, never criticized, and told me to keep working. He paid me two hundred dollars for it and never published it — and rightfully so". Romita was working at the New York City company Forbes Lithograph in 1949, earning $30 a week, when comic-book inker Lester Zakarin, a friend from high school whom he ran into on a subway train, offered him either $17 or $20 a page to pencil a 10-page story for him as uncredited ghost artist. "I thought, this is ridiculous! In two pages I can make more money than I usually make all week! So I ghosted it and then kept on ghosting for him", Romita recalled. "I think it was a 1920s mobster crime story". The work was for Marvel's 1940s forerunner, Timely Comics, which helped give Romita an opportunity to meet editor-in-chief and art director Stan Lee. Romita ghost-penciled for Zakarin on Trojan Comics' Crime-Smashers and other titles, eventually signing some "Zakarin and Romita". Romita went on to draw a wide variety of horror comics, war comics, romance comics and other genres for Atlas. His most prominent work for the company was the short-lived 1950s revival of Timely's hit character Captain America, in Young Men #24–28 (Dec. 1953 – July 1954) and Captain America #76–78 (May–Sept. 1954).[21] Additionally, Romita would render one of his first original characters, M-11 the Human Robot, in a five-page standalone science-fiction story in Menace #11 (May 1954). While not envisioned as an ongoing character, M-11 was resurrected decades later as a member of the super-hero team Agents of Atlas. He was the primary artist for one of the first series with a black star, "Waku, Prince of the Bantu" — created by writer Don Rico and artist Ogden Whitney in the omnibus title Jungle Tales #1 (Sept. 1954). The ongoing short feature starred an African chieftain in Africa, with no regularly featured Caucasian characters. Romita succeeded Whitney with issue #2 (Nov. 1954). In the mid-1950s, while continuing to freelance for Atlas, Romita did uncredited work for DC Comics before transitioning to work for DC exclusively in 1958. "I was following the DC [house] style", he recalled in 2002. "Frequently they had another artist do the first page of my stories. Eventually I became their romance cover...

Rare vintage signed and dated silver gelatin black & white framed photograph. This photo is signed but I cannot make out the signature. It is from the aftermath of the six day war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...

These are very rare original vintage silver gelatin prints from the 1970s, Most probably from the touring exhibit. they are all stamp signed by the photographer verso. Levi Yitzchak Freidin captured his experiences at the court of the Lubavitcher Rebbe of Chabad on still film, his work as a photographer for various Lubavitch institutions in Eretz Yisroel standing him in good stead. Though he had initially referred to 770 as “a madhouse,” Freidin so loved his experience there that he returned every Tishrei for nearly twenty years thereafter. Returning to Eretz Yisroel after his first Tishrei, Freidin held an exhibit called “770” at Beit Sokolov, a journalistic center in Tel Aviv. The exhibit was later moved to Yerushalayim and then to Bar Ilan University, providing viewers with images of the Rebbe...

Children and Madonna is a Photograph silver salt print, realized in 1862. Hand-dedication on the lower. Good conditions.  

Robert Longo (American, born 1953) Untitled (Men in the Cities), 1976/2009 Medium: Set of two gelatin silver prints Dimensions: each 50.8 x 40.64 cm (20 x 16 in); overall 50.8 x 81.2...

Tacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...

An image of stunning urgency, Lucien Clergue created Nimeño II, Nimes in 1980. This silver gelatin print is hand-titled and dated by the photographer, with his copyright, notes and ...

First Steps, 1963 is a 7" x 9" gelatin silver photograph printed in the 1980s. Signed in ink on verso (back of photograph) by contemporary Czech artist Jan Saudek. Provenance: privat...

The Dancers, 1984 is an 8" x 8" vintage gelatin silver sepia-toned photograph by contemporary Czech artist Jan Saudek. Signed “Jan,” titled and dated “July 20-23, 1985” in ink below ...