Salvatore Arnone

Untitled, Balance Series. Abstract Photography mounted on acrylic and aluminum

2022

Manifesto VI From The Manifesto Series Inkjet print on cotton on paper Large: 60 in. H x 40 in. W Edition of 5 + 2 Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ "Manifesto" by Brazilian photographer Guilherme Licurgo, curated by Ian Duarte Lucas. Composed of fifteen unpublished works, created in 2018, this is his most political content production ever presented. As a result of his cultivated critical eye, the photographer sheds light on the historical exclusion of the Brazilian population in decision-making processes in the country. Dramatically plunged into an endless political and economic crisis, Brazil finds itself in a chaotic situation. In this context, Guilherme Licurgo's new series gains even more relevance with the proximity of the presidential elections, taking as its starting point the widespread sense of absence of dialogue between the citizens and government, even more, sensitive in this period. In the photographer's words: “'Manifesto' is the dialectic between the individual and the collective. A representation of thoughts based on the maxims of great references in Sociology and Philosophy that unfold around me, here and now. ” From references by classical thinkers and philosophers such as Hegel and Émile Durkheim to contemporaries Zygmunt Bauman and Slavoj...

Manifesto, From The Manifesto Series Inkjet print on cotton on paper Large: 60 in. H x 40 in. W Edition of 5 + 2 Other sizes are available. All Prices are quoted as "initial pri...

Manifesto IV From The Manifesto Series Inkjet print on cotton on paper Large: 60 in. H x 40 in. W Edition of 5 + 2 Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ "Manifesto" by Brazilian photographer Guilherme Licurgo, curated by Ian Duarte Lucas. Composed of fifteen unpublished works, created in 2018, this is his most political content production ever presented. As a result of his cultivated critical eye, the photographer sheds light on the historical exclusion of the Brazilian population in decision-making processes in the country. Dramatically plunged into an endless political and economic crisis, Brazil finds itself in a chaotic situation. In this context, Guilherme Licurgo's new series gains even more relevance with the proximity of the presidential elections, taking as its starting point the widespread sense of absence of dialogue between the citizens and government, even more, sensitive in this period. In the photographer's words: “'Manifesto' is the dialectic between the individual and the collective. A representation of thoughts based on the maxims of great references in Sociology and Philosophy that unfold around me, here and now. ” From references by classical thinkers and philosophers such as Hegel and Émile Durkheim to contemporaries Zygmunt Bauman and Slavoj Žižek...

Manifesto V From The Manifesto Series Inkjet print on cotton on paper Large: 60 in. H x 40 in. W Edition of 5 + 2 AP Print Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ "Manifesto" by Brazilian photographer Guilherme Licurgo, curated by Ian Duarte Lucas. Composed of fifteen unpublished works, created in 2018, this is his most political content production ever presented. As a result of his cultivated critical eye, the photographer sheds light on the historical exclusion of the Brazilian population in decision-making processes in the country. Dramatically plunged into an endless political and economic crisis, Brazil finds itself in a chaotic situation. In this context, Guilherme Licurgo's new series gains even more relevance with the proximity of the presidential elections, taking as its starting point the widespread sense of absence of dialogue between the citizens and government, even more, sensitive in this period. In the photographer's words: “'Manifesto' is the dialectic between the individual and the collective. A representation of thoughts based on the maxims of great references in Sociology and Philosophy that unfold around me, here and now. ” From references by classical thinkers and philosophers such as Hegel and Émile Durkheim to contemporaries Zygmunt Bauman and Slavoj...

All the others in me (New York) Gicleé print on cotton rag 27.5" x 39.37" Ed 4/5 +1AP 2013. ALL THE OTHERS IN ME Marrakech Biennale MOAD Miami MAMBO Bogota. The body, in opposition...

All the others in me (New York) Gicleé print on cotton rag 27.5" x 39.37" Ed 4/5 +1AP 2013. ALL THE OTHERS IN ME Marrakech Biennale MOAD Miami MAMBO Bogota. The body, in opposition...

Black and white fine art cityscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Black and white fine art cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013). In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...