Items Similar to Childhood Memories - 21st Century, Polaroid, Contemporary, Color, Ocean, Dog
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Stefanie SchneiderChildhood Memories - 21st Century, Polaroid, Contemporary, Color, Ocean, Dog2006
2006
About the Item
Childhood Memories (Stay), from Ryan Gosling's memory sequence - 2006
50x49cm,
Edition of 10,
Archival C-Print, matte surface, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 2245.09,
Not mounted
A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Stefanie Schneider was born and raised in Germany but lives and works in Southern California exploring the American dream and capturing it with Polaroid instant film. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters that reflect a part of the narrators life told from her perspective. Often about love, communication. sexuality and relationships. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction yet they also explore the relationship with the medium and the viewer. The wabi-sabi 'ness' of Schneider's work can not be denied or ignored. It's a step of acceptance of 'flaws', gaps and distortions. Missing pieces of the puzzle. The artist flaunts, uses and exposes the unknown using expired Polaroid instant film intentionally. Presents it. What you do with that is up to you. That missing part of the picture is for you to include yourself, you fill it in with yourself. That might be critical that it's there at all, missing and missing the entire point all together or by filling in the unknown with their own imagination. Even their own memories which then integrates the viewer and artist as one with limitless potential.
Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distills a charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openness of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangely alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the expired film stock emphasizes the fragility of the icon even more.
FlashART - Sabine Dorothee Lehner (translated from German by Michael Robinson)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2006
- Dimensions:Height: 19.69 in (50 cm)Width: 19.3 in (49 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652314204982
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1996
1stDibs seller since 2017
955 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Morongo Valley, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- White Trash Beautiful I - 29 Palms, CA featuring Radha MitchellBy Stefanie SchneiderLocated in Morongo Valley, CAWhite Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Accident II - with Ewan McGregor and Ryan Gosling, Polaroid, 21st Century, ColorBy Stefanie SchneiderLocated in Morongo Valley, CAA piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...Category
Early 2000s Contemporary Figurative Photography
MaterialsC Print, Color, Polaroid, Archival Paper, Photographic Paper
- Daisy in front of Trailer (Till Death do Us Part ) 48x47cm, + Soundtrack LPBy Stefanie SchneiderLocated in Morongo Valley, CADaisy in front of Trailer (Till Death do Us Part) - 2005 Edition 4/5, 48 x 47 cm. Analog C-Print, printed on Fuji Crystal Archive Paper, hand-printed by the artist, based on the Polaroid. Artist inventory 9250. Signature label and certificate. Not mounted. This Edition comes with the vinyl soundtrack of "Till Death Do Us Part" (directed by Stefanie Schneider), music by Daisy McCrackin. Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Till Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting images rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real-time, and the edited moving shot, despite its artificial rendering of time, all too often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- The Best Light To Read By - Contemporary, Photograph, 21st Century, BlBy Josey CaryLocated in Morongo Valley, CAThe Best Light To Read By 2019, 20x24cm, Edition of 1/10. Digital C-Print based on a Polaroid Collage. Hand-signed and numbered by the artist on the back w...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Kairosclerosis - Contemporary, Photograph, 21st Century, BlBy Josey CaryLocated in Morongo Valley, CAKairosclerosis 2019, 20x24cm, Edition of 1/10. Digital C-Print based on a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Josey...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- The Weight Of The Human Heart - Contemporary, Photograph, 21st Century, BlBy Josey CaryLocated in Morongo Valley, CAThe Weight Of The Human Heart - 2019 30x30cm, Edition of of 10. Archivall C-Print based on a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certificate....Category
2010s Contemporary Color Photography
MaterialsPhotographic Paper, C Print, Color, Polaroid, Archival Paper
You May Also Like
- Tyler Shields - Legs in the Gold Room, Photography 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Archival Pig...
- Tyler Shields - High heels (This is not a reflection), 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Digital, Arc...
- Tyler Shields - Strawberry, Photography 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" Editions of 3 + 2 Artist Proofs Tyler Shi...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Digital, Arc...
- Tyler Shields - Pills, Photography 2014, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Tyl...Category
2010s Contemporary Color Photography
MaterialsLuster, Archival Paper, Photographic Paper, C Print, Digital, Archival P...
- Tyler Shields - Odysseus, Photography 2015, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Sirens Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proof The idea behi...Category
2010s Contemporary Color Photography
MaterialsLuster, Archival Paper, Photographic Paper, C Print, Digital, Archival P...
- Tyler Shields - Picnic, Photography 2018, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs T...Category
2010s Contemporary Color Photography
MaterialsLuster, Digital Pigment, Archival Pigment, Digital, C Print, Photographi...
