Stefanie Schneider

OK Corral - part 2 - (Stranger than Paradise)

1999

A Man and a Woman (Sidewinder) - 2005 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 3213. Signature label and Cer...

Field of Dreams (Sidewinder) - 2005 80 x 78 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Artist Inventory 3131.02, Not mounted Stefanie ...

'Ewan McGregor' (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory No. 5007.01 Not mounted Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas...

Gasoline II (Stranger than Paradise) 1999 - 3 pieces, each 128x125cm, installed 125x295cm including gaps. sold out Edition of 5, Artist Proof 1/2 Analog C-Prints, hand-printed by...

Marilyn (Heavenly Falls) - triptych - mounted - 2016, Edition 1/10, 38x37cm each, installed 38x120cm. 3 Lambda C-Prints, based on three original Polaroids. Sandwiched in betwee...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 30"x45" edition #1 of 5, signed and editioned on the reverse. This photograph capt...

"Diver in Icy Water" 30"x45" photograph - edition of 5 (unframed) This photograph is featured in our current exhibition at the gallery and is available as 2/5 unframed, or framed a...

This is a large scale photograph, limited edition of 5, signed by the artist on the reverse. Available unframed, please inquire about framing options. In this photograph, the vibran...

40"x 60" framed Chromogenic large scale photograph by the New York artist, Stephen Mallon, edition #4 of 5 signed on reverse, This is the second to last available print in this edit...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Hong Kong Football is a dynamic C-Type Matte Print by Contemporary photographer Chri...