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Poderes Brasilia at Night - Photograph - 1960s

1960s

Vintage b/w Photo realized in 1976.

Vintage Portrait of Betsy Drake, realized in 1950s.

Vintage Photo. Jack Nicholson accepts his Oscar as Best Actor for his part in "One Flew Over The Cuckoo's Nest".

Vintage b/w photo of John Wayne, realized in the late 1960s.

Vintage Photo. Dedication of the John Wayne Elementary School. New York

Vintage Photo. Marcello Mastroianni in "Permette? Rocco Papaleo", a film by Ettore Scola.

Moving in Together (Till Death do us Part) - Installation - 2008 Edition of 5. 16 analog C-Prints , hand-printed by the artist on Fuji Crystal Archive Paper, based on 13 Polaroids, ...

Classic Beauty - The Noble Thistle - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of f...

Edition of 50. Markus Klinko is an award-winning international fashion/celebrity photographer and director who has worked with many of today's most iconic stars of film, music, and fashion. Klinko has photographed Beyonce, Lady Gaga, David Bowie, Jennifer Lopez, Britney Spears, Mary J. Blige, Mariah Carey, Kanye West, Anne Hathaway, Kate Winslet, Will Smith, Eva Mendes, Kim Kardashian, Naomi Campbell, and Iman. His editorial clients include Vogue, GQ, Vanity Fair, Harper's Bazaar, and Interview Magazine. Brands such as Lancôme, L'Oréal Paris, Nike, Hugo Boss, Anna Sui, Pepsi, Skyy Vodka, and Remy Martin have hired Klinko to create advertising campaigns. His campaign for “Keep A Child Alive” raised over one million dollars for children with AIDS in just 3 days. Born in Switzerland of French, Italian, and Hungarian descent, Klinko spent his early years training to become a classical harp soloist. He studied at the Conservatoire National Supérieur de Musique in Paris. Later, Klinko signed an exclusive recording contract with EMI Classics, as well as a management contract with Columbia Artists Management. He received the Grand Prix de Disque for his recording of French harp...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his...

A limited Edition Print by National Geographic Photographer Keith Ladzinski from his series “The Cost of Consumption” - To hold industrial value through the eyes of humans is more of...