Alessandro Puccinelli

Mare #349 Seascape

2018

Alessandro Puccinelli Mare #101, 2009 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 Archival Pigment Print Mare. Power, Harm...

Alessandro Puccinelli Mare #341, 2015 Seascape - From the Mare series - Framed 32 x 32 inches Edition of 7 40 x 40 inches Edition of 5 Archival Pigment Print Mare. Power, Harmon...

Alessandro Puccinelli Mare #257, 2012 Seascape - From the Mare series - Framed 32 x 32 inches Edition of 7 Archival Pigment Print Mare. Power, Harmony, Elegance and a Huge Sense ...

Alessandro Puccinelli Mare #224, 2016 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 Archival Pigment Print Mare. Power, Harm...

Alessandro Puccinelli Mare #340, 2017 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 40 x 40 inches Edition of 5 Archival Pig...

Alessandro Puccinelli Mare #125, 2009 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 Archival Pigment Print Mare. Power, Harmo...

Black and white fine art landscape photography print. Crooked tree in fairy forest in foggy mood, Fanal, Portugal. Archival pigment ink print, edition of 5. Signed, titled, dated and...

JUN AHN (*1981) Invisible Scape, 2014 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76,2 x 228,5 cm (30 x 90 in.) Edition of 5 plus 2 artist's proofs (#2/5) This photograph belongs to Jun Ahn's series 'Invisible Scape', which was shot between 2010 and 2014. South Korean Jun Ahn came to study in the US, where she graduated from the University of Southern California with a degree in art history in 2006, followed by two years of postgraduate study of photography at the Pratt Institute. While at the Pratt, she had her first work displayed as part of group gallery exhibitions, and began work on the "Self-Portrait" project, which to date is her most prominent series of photographs which she regards as “a performance without an audience”, an end of youth of sorts, and a coming to terms with the future. In 2009 and 2010 she was awarded the Dean’s Scholarship at New York’s Parsons The New School for Design, and in 2011 received both the Dean's and a departmental scholarship. During this time her work received its first major exhibitions, including a joint exhibition with Kazuna Taguchi at PS 122 in New York. Furthermore, Jun Ahn has been selected as one of BJP’s 20 Photographers To Watch in 2013. Parsons awarded her a Master of Fine Arts with honours in January 2012, after which she acquired a PhD in photography from Hongik University in Seoul...

"Construction Site (roof), Stone Mountain, Georgia X 36" is a composite photograph featuring hues of golden yellow, grey and blue. Peter Essick is inspired by the work of Walker Evan...

18"x24", signed, editioned color photograph. A lush Fall farm landscape with greens fields, orange trees and red barn painting is contrasted by the placement on a highly distressed wall. Multiple layers of paint in various colors from teal blue, pink, beige, and orange are peeled and cracked creating an abstract pattern of color behind the landscape painting in this photograph. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art...

20"x30" limited edition of 5, signed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. Australian artist,...

Included are four 18"x24", signed, editioned color photographs. Each of the four photographs depict a a different landscape painting hung on a distressed wall. From a rural town vi...