Alexandre Manuel

Organic Landscapes IV

2016

Alexandre Manuel Organic Landscapes IV, 2016 60x40 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Organic Landscapes VI, 2016 60x40 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Organic Landscapes V, 2016 60x40 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Organic Landscapes III, 2016 60x40 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Organic Landscapes II, 2016 60x40 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Organic Landscapes I, 2016 60x40 inches Edition of 5 Archival Pigment Print

C18-13 (ABC), 2018 16" x 20" x 1" each acrylic on three panels 16" x 64" x 1" (hung horizontal) 48" x 20 x 1 (hung vertical) Abstract triptych made of three horizontal, rectangula...

Large in scale, oil on canvas Neo-Expressionism Tryptique painting by the artist under the name Stuart. Lots to take in with this piece. It is full of expression and movement. Very ...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Diptych of abstracted floral paintings in an earthy blue and brown palette "Hollyhock & Zin" (Pair of Contemporary Miniature Botanical Paintings on Wood Panel) Monotype on Paper and Oil, Mounted on Panel "Hollyhock" measures 10 x 8 x 2 inches "Zin" measures 10 x 7.8 x 2 inches Roughly 10 x 18 inches overall as a diptych Signed, verso Panels could also stand upright on a shelf or mantelpiece. Wired on reverse for simple hanging, sides of panel are cleanly painted white, framing not necessary. About the work: Contemporary landscape painter David Konigsberg is well known for his conceptual landscapes that come alive in the space where earth and sky meet. Dramatic backdrops of tumultuous clouds above gestural painted fields, informed by years of living in the upper Hudson Valley, provide a stage for factual and whimsical subject matter like flying space pods...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

This colorful color lithograph by Roberto Matta was printed at the Atelier Mourlot in Paris in 1976 and comes from an edition of 100 - from the series "Ca Ira" (it'll be fine) Ref. F...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black...

Through the use of very long exposures taken with a telescope, Malin reveals stars and constellations too distant to be seen with the naked eye. The Witch’s Head nebula, the subject of this edition’s specially commissioned print, is 800 light years away from Earth in the constellation of Orion. As the colloquial name suggests, this heavenly duststorm has the pointed nose and crooked chin of a fairytale crone. In reality the nebula is quite blue, glowing in light reflected from the super-giant star, Rigel. The dusty formation of the witch’s silhouette is contrasted starkly with the glittering lights of the sky, in an ethereal composition that showcases the most wonderful collaboration between man and nature. Each limited edition silver gelatin print is simply and elegantly produced and illustrates the breathtaking beauty of this phenomenon. Aside from its scientific importance, the work speaks for itself as one of the most spectacular sights ever caught on film. Combining the worlds of art and science, David Malin...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 50. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Long dark grasses and cattails form a patterned lattice through which the fall sky pushes through. This atmospheric photograph that captures the essence of a wetland is created in tw...

Sun sets over a blurred horizon. Brilliant hues of orange, red and golden yellow blend to great a warm haze. . This particular series is taken with a slow shutter speed, while the ph...

"My current series of photos captures the fleeting beauty of landscapes and objects we see every day, driving along the highway, but with a perspective that is shifted and in motion....

Abstract photography. Archival Pigment Prints Mounted on Plexi - Lt ed. Floats in wooden white frame. About the Artist: For Lynn Savarese, the greatest joy of photography is the experience of intimate observation of elements from the natural world. Having appeared in numerous exhibitions and publications worldwide, she has also received prestigious international recognition, including being named a Finalist in the Magnum Photography Awards 2016 international competition and being named a Finalist in the 11th Edition of the Julia Cameron Award for Women Photographers in each of five categories—Children, Landscape, Nature, Open Theme, and People. Water is one of Savarese’s favorite subjects to photograph, and to capture it, she has traveled far and wide—from out East...

Energetic abstracted green and yellow landscape of a forest. Often photographs are taking while Labbé is running or in a moving vehicle. Québec born Etienne Labbé trained as a mol...

Québec born Etienne Labbé trained as a molecular biologist in Montréal and Toronto. As an artist he has worked in several mediums – sculpture, watercolour, mixed media and photogr...