Beth Lilly

"Rough Water" - Contemporary Composite Landscape Photography - JMW Turner

2018

'An Ephemeral Pond in Summer,' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...

'Midtown Garden Party' is a black and white landscape photograph. Additional sizes are available. This listing is for an framed print, edition 2/10. Richard Skoonberg is inspired by the work of Eliot Porter, Lee Friedlander and Thomas Struth. Richard Skoonberg’s photographs offer a complexity that is chaotic and cohesive, intriguing and meditative. He works in the traditions of landscape, street photography and photo collage. Richard studied photography at the California College of the Arts under the Czech surrealist photographer, Vilem Kriz. His photographs have been shown at the Museum of Contemporary Art of Georgia (MOCA), the Atlanta Photography...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest Redwoods by Erik Pawassa...

Don´t come with me - 2011 40 x 40 cm, Edition of 5 plus 2 Artist Proofs. Archival Photography printed on Canson Baryta 310gr (not mounted) Signed on back with Certificate. About m...

El Mirage by Frank Schott 48 x 64 inches / 122cm x 163cm edition of 7 signed 30 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print li...

Black and white fine art landscape photography. Giant redwood tree in Sequoia National Park in California, USA. Archival pigment ink print as part of a limited edition of 9. All Gera...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in. Image: 24 x 30 in...