Delel Tangour

Dalel Tangour, Tunisian artist photographer, Lueurs "Gleams "black & white

2008

Black and White, silver print on Hahnemühle ultra smooth fine art paper Edition: limited 1/3, signed in pencil by the artist on the plate. Title : Sur les traces de l'oubli "In the footsteps of oblivion" The artist Dalel Tangour...

Portrait diptyque, technique print from Negative Black & White treated in the laboratory on Lith film to obtain a solarization effect. Signed in pencil by the artist on the plate. Edition: limited 1/3 The artist Dalel Tangour...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

Vanité aux Papillons "Vanity with Butterflies", bronze painted in white. Stamped and Signed on the base 2018 - Edition of 5 This one 5/8 Among Pasqua's masterpieces are the butterfly vanities...

The sixth of six of this limited edition Marielle Guégan engraving created in 2005. Marielle Guégan is a French painter and engraver. During her studies as an interior designer, sh...

"Io sono qui" 2019, Technic mix on paper Signed on the back Not framed In 2018 Veronica Botticelli is one of the 222 emerging artists worth investing in. She was selected by the most prestigious curators, critics, journalists and art galleries Veronica Botticelli seems to have frozen the image and now she presents it on structured backgrounds of large fields of color, on which she intervenes by applying paper that then becomes one with the canvas. Whatever the medium, sheet, canvas, ministerial envelopes, the works of Veronica are in the form of palimpsest, they are made of accumulations, erasures, presence, absence and speak with force of painting and painting. a resolutely contemporary painting. She has chosen this object precisely because of its strong poetic message, making it the custodian of memories, both personal and collective, in which we mix the nostalgic thoughts we have as we gaze at a work that suggests to us the enchantment of a lost past. Veronica Botticelli currently lives and works in Paris. Graduated at the Accademia di Belle Arti in Rome. She began working in 2004 taking part in "Cortilarte", an exhibition held at the Casa della Letteratura in San Lorenzo. In 2006 she won the first prize at the National Contest of Visual Arts, organized by ANMIL and INAIL , held at the Palazzo della Cancelleria in Rome. In the same year she held her solo exhibition Ateliers d'Artista at the library in Villa Mercede in collaboration with Fondazione Pastificio Cerere. After participating in several collective exhibitions in 2010, Fabio Sargentini supervised Veronica Botticelli's solo exhibition "Un Quadro Nel Teatro" at the Galleria L'Attico in Rome. In 2011 she held an exhibition at the L.E.S. Gallery, CSV Center in New York City. In 2012 she was among the young artists chosen to enter the 5th edition of the Premio VAF with a traveling exhibit at the Stadtgalerie in Kiel; the Museum Biedermann in Donaueschingen; CIAC Centro per L'Arte Contemporanea, Castello Colonna in Genazzano. In 2013 she held her solo show “Sono tutto quello che vedo” at the Annamarracontemporanea gallery in Rome. In 2015 she wos awarded the prize "Premio Giovani" Accademia Nazionale di San Luca in Rome. In 2018 she held her solo show “Io ho sentito la musica" curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera Solo exhibitions 2018 "Io ho sentito la musica", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera 2017 "La disanza delle ragioni" , doppia personale a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2015 "Amore mio non te ne andare", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey,Svizzera 2013 "Sono tutto quello che vedo”, a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2011 “16, 26 tutto quello che volevo dire”, a cura di/curated by Fabrizio Pizzuto, Closet, Roma 2010 “Un quadro nel teatro”, Galleria L' attico di Fabio Sargentini, Rome, Italy 2006 "Ateliers d'Artista”, a cura di/curated by Maurizio Carresi e Rosanna Rago, Biblioteca di villa Mercede, in collaborazione con la Fondazione Pastificio Cerere, Roma (cat.) Collective exhibition 2019 Art ON PAPER, Galleria Anna Marra, Brussels, Belgium Paris Design WEEK, Ayn Gallery, Paris, France/ curated by Yasmine Azzi “Libri d' Artista, l’arte da leggere”, a cura di/curated by Mariastella Margozzi e Valentina Gigante, Castello Svevo di Bari; Castello di Copertino, Lecce, Italy Art Paris Art Fair, Galleria Anna Marra, Grand Palais, Paris, France “Brias'' Internationale Art Symposium and master Classes, a cura di/curated by Tima Jam, Istanbul, Turkey 2018 “Arimondi3 rewired’’ a cura di/curated by Angelo Cricchi e Barbara Santoro, via Arimondi, Roma, Italy 2017 "Invisibili connessioni" a cura di/curated by Viola Invernizzi, Museo Italgas.Torino “Una Festa dell'Arte” a cura di/curated by di Anna Nassisi, scuderie di palazzo Farnese di Caprarola. Viterbo, Italy 2015 Vincitrice del premio "Premio giovani" Accademia Nazionale di San Luca. Roma, Italy(cat.) 2015 "[ Sé-gni]", a cura di/curated by Giorgia Calò, Galleria Riccardo Crespi, Mostra realizzata in occasione dell'asta raccolta fondi in favore della IIFCA-Fondazione Italia Israele per la Cultura e le Arti, Teatro Franco Parenti di Milano. Milano,Italy (cat.) 2014 “L'arte guarda avanti" (Premio Terna) a cura di/curated by di Cristiana Collu e Gianluca Marziani, Archivio di Stato di Torino, Torino (cat.) 2013 “Interno e memoria”, a cura di/curated by Valentina Casacchia, Edward Cutler Gallery, Milano (cat.) “It diary of a neuter”, a cura di/curated by Caterina Silva, Private Basement, Parigi 2012 “PPP Una Polemica Inversa, omaggio a Pier Paolo Pasolini”, a cura di/curated by Flavio Alivernini, Palazzo Incontro, Roma (cat. Fandango libri) “Premio Fondazione VAF”, a cura di/curated by Volker W. Feierabend, Silvia Holler, Norbert Nobis, Peter Weiermair, Klaus Wolbert, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano; Museum Biedermann, Donaueschingen; Stadtgalerie, Kiel (cat.) “Portonaccio, Artisti in condominio”, a cura di/curated by Achille Bonito Oliva studi di Via Arimondi n.3, Roma (cat.) “Ditelo con i fiori”, a cura di/curated by Claudio Libero Pisano, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano 2011 “The Shadow Line”, a cura di/curated by Valentina Casacchia, L.E.S Gallery, CSV Center, New York “Brooklyn Boudoir”, a cura di/curated by Valentina Casacchia, Studio 400, New York “Via Arimondi”, a cura di/curated by Shara Wasserman e Mauro Di Silvestre, Temple Gallery – Temple University, Roma 2010 “Che cento fiori sboccino...”, a cura di/curated by Roberto Gramiccia, La Nuova Pesa Centro per l'Arte Contemporanea, Roma 2009 “Sursum Corda”, a cura di/curated by Cinzia Fratucello, Interno Ventidue Arte Contemporanea, Roma 2008 “Falce e Martello, Simboli di ferro”, a cura di/curated by Daniele Arzenta, Giorgia Calò, Roberto Gramiccia, MUSPAC, Museo Sperimentale d'Arte Contemporanea de L'Aquila (cat. Edizioni Horti Lamiani Bettivò) 2007 Opera selezionata per la campagna abbonamenti Teatro Ambra Jovinelli, Roma “Detour the Moleskine city notebook”, a cura di/curated by Raffaella Guidobono, Londra 2006 “Premio Vasto. Vertigini, il fantastico oggettuale”, a cura di/curated by Silvia Pegoraro, Vasto (cat.) Vincitrice del primo premio “Lʼaltra metà del lavoro”, a cura di/curated by Pino Casagrande, Presidente di Giuria Paolo Balmas, Palazzo della Cancelleria, Roma (cat.) “Sottovetro”, a cura di/curated by Pier Paolo Pancotto, Cafè Dagnino - Galleria Esedra, Roma (cat.) 2005 “S/AGO/ME 547”, a cura di/curated by Paola D...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Palm trees slowly moving in the breeze. Abstract black and white landscape photograph of palm trees, printed by hand in a traditional darkroom on fiber based gelatin silver paper. Si...

A magical and mysterious black and white landscape photograph taken in the Armenian highlands. In the distance, where the mist and mountains are you see rainfall. Photographed with a medium format Hasselblad camera and a red filter to darken the sky. A limited edition of five prints sized at 25x25 inches, printed by hand in a traditional darkroom on gelatin silver paper. There are only two left in the edition at this size. Framed with wide, antique black stained...

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. The Car Window, New Mexico, available in several sizes, please inquire.

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. The Wind Blown Tree, Dartmouth, 2015, available in several sizes, please inquire.

Vivian Maier. Chicago, Illinois, March 31, 1970, selenium toned gelatin silver, 12 x 12", framed 21 x 21", Stamped with John Maloof Collection, signed by ...