C Print Landscape Photography
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Artist: Stefanie Schneider
Medium: C Print
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Polaroid, Color
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Man walking in Distance (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Man walking in Distance (Zuma Beach) - 1999
43x59cm,
Edition of 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inve...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, Polaroid, Color, C Print
Beach Boy (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Beach Boy (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #207.
N...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, Polaroid, Color, C Print
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 4/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #22...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Untitled (Oilfields) - Contemporary, 21st Century, Desert, Polaroid, Landscape
Located in Morongo Valley, CA
Untitled (Oilfields), 2004
60x60cm,
Edition 4/10
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory No. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Sunday Afternoon (Malibu)
Located in Morongo Valley, CA
Sunday Afternoon (Malibu)n - 2004
39x37cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the orignal Polaroid.
Artist i...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #2...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Facing Trains (Stranger than Paradise) - Landscape, Polaroid, analog
Located in Morongo Valley, CA
Facing Trains (Stranger than Paradise) - 1999
55x73cm,
Edition 2/5.
Aanalog C-Print, printed by the artist, based on the Polaroid.
Mounted on Aluminum with matte V-Protection.
A...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Stardust (Vegas) - analog, vintage print
Located in Morongo Valley, CA
Stardust (Las Vegas) - 1999,
44x59cm,
Edition 5/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #553.0...
Category
1990s Contemporary C Print Landscape Photography
Materials
C Print, Archival Paper, Photographic Paper, Color, Polaroid
Vagabond (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Vagabond (American Depression) - 2017
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Joshua Tree (29 Palms, CA) - Landscape, Polaroid, Photograph, expired, Nature
Located in Morongo Valley, CA
Joshua Tree (29 Palms, CA) - 1999
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Artist inventory 20975.
...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
No Lifeguard on Duty (Oxana's 30th Birthday) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
No Lifeguard on Duty (Oxana's 30th Birthday) - 2010
58x56cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist,
based on the Polaroid.
Artist invent...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Interstate 10 Overpass (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Interstate 10 Overpass (Drive to the Desert) - 1999
44x59cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signe...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Circle of Magic - Do you believe in Magic - 29 Palms, CA
Located in Morongo Valley, CA
Circle of Magic (29 Palms, CA) - 2009
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
artist inventory num...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print, Polaroid, Archival Paper, Photographic Paper, Color
Sunset (Stranger than Paradise) - Analog, hand-print, Polaroid
Located in Morongo Valley, CA
Sunset (Stranger than Paradise) - 1997
44x56cm,
Edition 3/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Artist inventory Number 105.02.
Signature label an...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Forest White (The Last Picture Show) - analog, Polaroid
Located in Morongo Valley, CA
Forest White (The Last Picture Show) - 2005
125x128cm,
Edition 3/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Signature lab...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Ghosts (The Last Picture Show) - Polaroid, Photograph, Contemporary, Americana
Located in Morongo Valley, CA
Ghosts (The Last Picture Show) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist inventory 2...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Millennial Falcon (Sidewinder), analog, 100x98cm - Polaroid, 21st Century
Located in Morongo Valley, CA
The Millennial Falcon (Sidewinder) - 2005
100x98cm,
Edition 1/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Artist Invento...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Frozen IV (Last Picture Show)
Located in Morongo Valley, CA
Frozen IV (Last Picture Show) - 2001
20 x 20 cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
It's gonna get worse before it gets any better (Till Death du us Part)
Located in Morongo Valley, CA
It's gonna get worse before it gets any better (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate an...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer - The Last Picture Show, analog, 58x56cm Polaroid
Located in Morongo Valley, CA
Indian Summer (The Last Picture Show) - 2004
58x56 cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Po...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Athena and Henry (Stay) - featuring Ryan Gosling and Elizabeth Reaser - Polaroid
Located in Morongo Valley, CA
Athena and Henry (Stay), from Ryan Gosling's memory sequence - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate a...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Film
Emser - Mindscreen 6 (Stranger than Paradise) - Polaroid, photograph
Located in Morongo Valley, CA
Emser - Mindscreen 6 (Stranger than Paradise) - 1999
58x57cm,
Edition 5/10.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Sign...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Springs Palm Trees (Californication) - Polaroid
Located in Morongo Valley, CA
Palm Springs Palm Trees (Californication) - 2021
50x49cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inv...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bombay Palm Trees (California Badlands) - Bombay Beach - Polaroid, Contemporary
Located in Morongo Valley, CA
Bombay Palm Trees (California Badlands) - Bombay Beach) - 2019
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Signature label and Certifica...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Road to Nowhere (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Road to Nowhere (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
California Badlands II (California Badlands)
Located in Morongo Valley, CA
California Badlands II (California Badlands) - 2016
20x20cm,
Edition of 10 plus 2 Artist Proofs.
digital C-Print, based on a Polaroid
Certificate and Signature label
artist Inven...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's gonna get worse before it gets any better (Till Death du us Part)
Located in Morongo Valley, CA
It's gonna get worse before it gets any better (Till Death Do Us Part) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate an...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Breaking the Waves (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Breaking the Waves (Zuma Beach) - 1997
43x59cm,
Edition of 3/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Brooklyn Bridge (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 60...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
White Tank - My own Private Travel Diary
Located in Morongo Valley, CA
White Tank (My Own Private Travel Diary), 1999
20x25cm,
sold out Edition of 10, Artist Proof 2/2.
Archival C-Print, based on the Polaroid
Certificate and S...
Category
1990s Contemporary C Print Landscape Photography
Materials
Color, Archival Paper, Photographic Paper, C Print, Polaroid
Empire Morning Fog (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Empire Morning Fog (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory ...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloudy Empire (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Cloudy Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Afternoon Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Afternoon Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Stop Bombay Beach (California Badlands)
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Morning Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Morning Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. ...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Across (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Across (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6145.
N...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
California Depression (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2194.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Polaroid sized unlimited Mini 'Hot Tub' (Heavenly..) - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid-sized unlimited Mini 'Hot Tub' (Heavenly Falls) - 2016 -
signed in front, not mounted.
1 Archival Color Photograph based on the Polaroid.
Polaroid si...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print, Archival Paper, Polaroid, Lambda, Color
April is the Cruelest Month - Contemporary, Landscape, Polaroid, Analog
Located in Morongo Valley, CA
April is the Cruelest Month (Memories of Green) / (The Getaway) - 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Arch...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Art...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Airstream trailer outside of 29 Palms - Polaroid, 21st Century, Landscape, Color
Located in Morongo Valley, CA
Airstream trailer outside of 29 Palms (Sidewinder) - 2005
50x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
A...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Dancer V (Stay) - the movie, expired Polaroid, analog hand made
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rosegarden (Suburbia), analog, mounted
Located in Morongo Valley, CA
Rosegarden (Suburbia) - 2004
Edition 1/5,
60x80cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Mounted on Aluminum with matte UV-Projection.
Artist Invent...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
C Print landscape photography for sale on 1stDibs.
Find a wide variety of authentic C Print landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Massimo Listri, Kirsten Thys van den Audenaerde, and Richard Heeps. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large C Print landscape photography, so small editions measuring 0.4 inches across are also available
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