Nicolas Ruel

Redlight Amsterdam

2013

Long dark grasses and cattails form a patterned lattice through which the fall sky pushes through. This atmospheric photograph that captures the essence of a wetland is created in tw...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

An angled swath of black, burnt umber and gold below a sky streaked with azure, dark and light blues is imprinted with two straight dark lines. This abstracted landscape, captured using time lapse...

Military planes in formation is reminiscent of a flock of starlings in this eerily brilliant image by Mark Bartkiw. The artist disrupts the landscape by juxtaposing expected elements...

An imposing image of a deep blue sphere dominates the space in this large print by the celebrated Canadian artist Steven Heinemann. This high-quality print was created by Heinemann i...

In this unique photographic print, Etienne Labbé has captured the subtle variation in a moody gray-blue sky above a mist-covered harbour. His beautiful compositions experiment with t...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...

Black and white fine art landscape photography. Curved laurel tree in foggy fairy forest, Madeira, Portugal. Archival pigment ink print, edition of 8. Signed, titled, dated and numbe...

JUN AHN (*1981) Invisible Seascape #2 2010 HDR Ultra Chrome Archival Pigment Print Sheet 304.8 x 101.6 cm (120 x 40 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed to artist's speci...

JUN AHN (*1981) Invisible Scape, 2014 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76,2 x 228,5 cm (30 x 90 in.) Edition of 5 plus 2 artist's proofs (#2/5) This photograph belongs to Jun Ahn's series 'Invisible Scape', which was shot between 2010 and 2014. South Korean Jun Ahn came to study in the US, where she graduated from the University of Southern California with a degree in art history in 2006, followed by two years of postgraduate study of photography at the Pratt Institute. While at the Pratt, she had her first work displayed as part of group gallery exhibitions, and began work on the "Self-Portrait" project, which to date is her most prominent series of photographs which she regards as “a performance without an audience”, an end of youth of sorts, and a coming to terms with the future. In 2009 and 2010 she was awarded the Dean’s Scholarship at New York’s Parsons The New School for Design, and in 2011 received both the Dean's and a departmental scholarship. During this time her work received its first major exhibitions, including a joint exhibition with Kazuna Taguchi at PS 122 in New York. Furthermore, Jun Ahn has been selected as one of BJP’s 20 Photographers To Watch in 2013. Parsons awarded her a Master of Fine Arts with honours in January 2012, after which she acquired a PhD in photography from Hongik University in Seoul...

Western Landscape 2, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photogr...

Western Landscape 7, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photogr...