Nick Veasey

Rat Pack II Mid-Grey

2020

Nick Veasey Easy Listener Mid Grey, 2020 29.5 x 23 inches, Edition of 25 50 x 40 inches, Edition of 15 59 x 47 inches, Edition of 9 Digital C-type print mounted to dibond with matte...

Olivia Steele Wish You Were Here (Birdcage), 2021 Signed and numbered by artist Hand Blown and coloured neon with vintage brass birdcage and plexigl...

Olivia Steele Pursuit of Happiness (Birdcage), 2021 Signed and numbered by artist Hand Blown and coloured neon with vintage birdcage and plexiglass 27 x 18.5 inches, Edition of 10 T...

Nemo Jantzen Camouflage Signed by the artist Nails and thread on wooden panels boxed in plexiglass. 55 x 59 inches This piece is currently on display at Art Angels in Los Angeles.

Nemo Jantzen All Out Signed by the artist Nails and thread on wooden panels boxed in plexiglass. 55 x 43.5 inches This piece is currently on display at Art Angels in Los Angeles.

Nick Veasey 1988 Ferrari F40 GTE, 2015 Digital C Print 23.5 x 65.6 inches, Edition of 25 27.5 x 76.5 inches, Edition of 15 35 x 98 inches, Edition of 9 Si...

DIETRICH MOOD 2011 From “Portraits” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 80X60 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 40X30 Print run 10+2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

Photograph of the Freie Universität Library in Berlin by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipp...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...