Nude Photography

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

Norberto con Trombón by Celso José Castro Daza From The Vendedores series One-of-a-kind Photo collage Sheet Size: 27 in. H x 20 in. W 1996 Unframed The root of these unique photogra...

Francisco Castillo, Lotero by Celso José Castro Daza From The Vendedores series One-of-a-kind Photo collage Sheet Size: 27 in. H x 20 in. W 1996 Unframed The root of these unique ph...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò took this opp...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based UK photographer Andy Lo Pò...

Desierto by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal city in Ecu...

Bill South Beach, 2002 by Celso José Castro Daza From the Identidad series One-of-a-kind Photo collage Sheet Size: 27 in. H x 20 in. W Unframed The root of these unique photographic...

Color Archival Pigment print Small ed of 13. 30 x 20 in For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics ...

Andrés Diptych, 1999 by Celso José Castro Daza From Identidad series One-of-a-kind Photo collage Overall size: Sheet Size: 27 in. H x 40 in. W Individual size: Sheet Size: 27 in. H x...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based UK photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based UK photographer Andy Lo Pò...

Andrés, Verdugo, 1994 by Celso José Castro Daza From Identidad series One-of-a-kind Photo collage Sheet Size: 20 in. H x 27 in. W Unframed The root of these unique photographic work...

Boy, 2023 by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal city in Ec...

Andrés, 1999 by Celso José Castro Daza From Identidad series One-of-a-kind Photo collage Sheet Size: 27 in. H x 20 in. W Unframed The root of these unique photographic works by the ...

Milena Rosado by Celso José Castro Daza From Buscando Familia Disfuncional series One-of-a-kind Photo collage Sheet Size: 27 in. H x 20 in. W 2000 Unframed The root of these unique...

Desierto 2, 2023 by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal cit...

Albert WATSON (*1942, Scotland) Kate Moss, Frontal Nude 2, 1993 Special Gelatin Silver Print Sheet 61 x 51 cm (24 x 20 1/8 in.) Edition of 10 plus 2 AP's; Ed. no. 10/10 – from sold o...

Untitled VII, from the Sin Título Series by Jose Sierra Archival Pigment Print Semi-Matte Image size: 36 H x 22 W inches Frame size: 41 H x 27 W x 2 D inches. Edition of 10 + 2AP Fra...

Limited edition of 5. Available in multiple sizes. All prints are limited edition. High-end framing on request. All prints are done and singed by the artist. The collector receives an additional certificate of authenticity from the gallery. Florian Innerkofler...

Nobuyoshi ARAKI (*1940, Japan) Untitled (Erotos), 1993 Gelatin silver print Sheet 101.6 x 76.2 cm (40 x 30 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo...

"Charis, Santa Monica" is a photograph by Edward Weston. It has the artist stamp on verso, “Negative by Edward Weston print by Cole Weston”. The framed photograph measures 15 1/4 x 1...

Nobuyoshi ARAKI (*1940, Japan) Untitled (Erotos), 1993 Gelatin silver print Sheet 101.6 x 76.2 cm (40 x 30 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo...

Nobuyoshi ARAKI (*1940, Japan) Untitled (Erotos), 1993 Gelatin silver print Sheet 101.6 x 76.2 cm (40 x 30 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo...

Lina Scheynius (*1981 Sweden) Untitled (Calendar), 2012 Fibre-based silver gelatin print, hand proofed by the artist. Image 16 x 24 cm (6 1/4 x 9 1/2 in.) ...

Untitled 17 and 22 (Diptych), 2020 by Salvatore Arnone From The Paranoia series Digital print on Hahnemuhle Photo Rag Ultra Smooth Overall size: 27.5 in. H x 78.8 in. W Individual...

Espiral Dos & Espiral Diptych, by Ricky Cohete From the series "Espiral" Overall size: 30 in H x 40 in W. Individual size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2021 All p...

Engulfment - Cartagena 6 by Javier Rey From the series Engulfment Archival pigment print Image size: 165 cm H x 110 cm W. Edition of 2 + 1AP Unframed All prices are quoted as "ini...

East Hampton, New York, 1983 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later ...

Kent, England, 1968 Gelatin silver print Paper size: 20 x 24 in., Image size: 14 3/4 x 21 3/4 in. Printed c. 1985 Signed in black ink on print margin by Elliott Erwitt Born to Russi...

Self Touches #10, 2013 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 24 in. H x 16 in. W (60 cm H x 40 cm W) Edition of 7 All about nar...

Engulfment-Cartagena 7, 2021 by Javier Rey From the series Engulfment Archival pigment print Image size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. This print may be available in another size, please contact the gallery for more information. "The Mermaid. Weeki Wachi Springs. 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Proofs in this size. Rachel Louise Brown...

Engulfment- Cartagena 9 by Javier Rey From the series Engulfment Archival pigment print Medium size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "init...

Engulfment- Cartagena 8 by Javier Rey From the series Engulfment Archival pigment print Medium size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "init...

Engulfment- Cartagena 5 by Javier Rey From the series Engulfment Archival pigment print Medium size: 71 cm H x 110 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "init...

Engulfment - Mosquera 9, 2023 by Javier Rey From the series Engulfment Archival pigment print Image size: 65 cm H x 49 cm W. Edition of 7 + 2AP Unframed "The first encounter I ha...

Engulfment (Cartagena 2) by Javier Rey From the series Engulfment Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "ini...

Engulfment (Cartagena 1) by Javier Rey From the series Engulfment Archival pigment print Medium size: 110 cm H x 125 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "in...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

Engulfment (Cartagena 4) by Javier Rey From the series Engulfment Archival pigment print Medium size: 165 cm H x 110 cm W. Edition of 2 + 1AP Unframed All prices are quoted as "in...

Engulfment (Cartagena 3) by Javier Rey From the series Engulfment Archival pigment print Medium size: 110 cm H x 73 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "ini...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear ...

Untitled V, from the "Sin título" series by Jose Sierra Archival Pigment Print. Semi Matte Sheet size: 40 in. H x 29.5 in. W Edition 1 of 10 + 2AP Unframed 2016 Other sizes are av...

Marianne Marić La Chute, 2018 Silver gelatin print 80 x 120 cm (31 1/2 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 Print only Marianne Marić looks at the body as architecture...

#5, 2020 by Jose Sierra From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper Image size: 40 in. H x 27.4 in. W Edition of 10 + 1AP Unframed Additional si...

Secret Album II, Paris, 2015 Edition of 6 + 5 AP. Medium Size: 37 cm H x 30 cm W Large Size: 60 cm H x 50 cm W Unframed The Secret Album Series This ser...

Untitled 17, 2020 by Salvatore Arnone From Paranoia series Digital print on Hahnemuhle Photo Rag Ultra Smooth Image size: 35 in. H x 50 in. W Edition of 3 + 1AP Unframed All Pric...

Invacuo Project #21, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Secret Album V, Paris, 2015 Edition of 6 + 5 AP. Medium Size: 37 cm H x 30 cm W Large size: 60 cm H x 50 cm W Unframed The Secret Album Series This seri...

Bettie Page 'Brushing Hair', First Shoot, 1954 by Bunny Yeager Photographed in 1954 Printed in 2013 Gelatin Silver Print Image size: 19 in. H x 18.75 in....

Secret Album IV, Paris, 2015 Edition of 6 + 5 AP Medium size: 37 cm H x 30 cm W Large size: 60 cm H x 50 cm W Unframed The Secret Album Series This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the series was born, with a more erotic style than the others. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _______________________________ Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable. In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris. In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book. In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project, unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera...

Isabelle van Zeijl is recognized for her mastery in creating striking self-portraits. She produces her images autonomously, taking on the roles of model, creator, object and subject...

René GROEBLI (*1927, Switzerland) 521, 1952 Vintage silver gelatin print on Baryta paper Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.) Sheet 34 x 23 cm (13 3/8 x 9 in.) Unique Framed Signed and dated on verso This photograph is part of the MoMA permanent collection. René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR. In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996. With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...