Kate Garner

"Kate Moss Nr. 13" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner

2016

"Kate Moss Nr. 15" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

"Kate Moss Nr. 10" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

"Wrapped Series Untitled #42" Fine art photography 1/10 by Robert Mack 2019 Photograph, archival exhibition paper Aluminum mount, UV mat protection 42” x...

"Wrapped Series Untitled #35" Fine art photography 42x28in 1/10 by Robert Mack 2018 Photograph, archival exhibition paper Aluminum mount, UV mat protection 42” x 28” inches 107 x...

"Wrapped Series Untitled #40" Photography Ed. 2/10 28"x42"inch by Robert Mack 2007 Photograph, archival exhibition paper Aluminum mount, UV mat protection 28” x 42” inches 72 x ...

"Wrapped Series Untitled #10" Fine art photography 1/10 by Robert Mack 2014 Photograph, archival exhibition paper Aluminum mount, UV mat protection 42” ...

Tales of Bitter Moon #35 -2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, edition of 5, Digital archival pigment print 
based on an original Polaroid
 on...

Nick Vedros Venus Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 15x10in Edition: 15 Signed, dated and numbered by...

Tales of Bitter Moon #35 -2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, edition of 5, Digital archival pigment print 
based on an original Polaroid
 on...

Besides being a pioneering staged photograph, the composition is unique as well. A five-inch cutout appears to be monumental. The subject fills the pictorial space from the bottom to the top. It dominates the vast beachscape and dwarfs the life-size figures to the lower right. By photographing a reproduction of a person on paper, Funk pushes the boundaries of portraiture in 1977. Robert Funk is a pioneer of Staged Photography. The work is signed, numbered 3/15, dated, and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

The print is signed, dated, and numbered with an edition of 2/15. It's signed lower right recto. printed later. Other sizes are available and it's unframed. Printed on Hahnemühle F...

Digital color print on Pearl photo paper, based on original Impossible film, Edition 1/10, Signed on the back with Certificate, not mounted Whether in color and black and white, van Driessche’s photos marry the atmospheric qualities of integral and instant pack films with the sensuality of his models. The effect is often painterly, intimate, delicate. The softness and vulnerability of the nude feminine form is often juxtaposed with untamed landscapes or graphic urban architecture. Other photos in the series read like fine art paintings, with luminous colors and classic compositions. Van Driessche has traveled all over the world, taking photos wherever he goes. These days, he often schedules photo shoots with models when he travels, working with both professionals and amateurs. Despite being a perfectionist in his photography, van Driessche likes the unpredictable nature of expired film. He embraces its inherent perfections. He says it is thrilling when an instant photo develops before your eyes, and it happens to be exactly what you were hoping for. And equally frustrating when, for whatever reason, the photo just doesn’t work. He says that you have to be very sure of everything, the composition, the lighting, the poses, before pushing the button. Instant photography requires more thought and more patience than other forms of photography, but the rewards are worth the effort. His work has been widely featured, having appeared in Dreck Magazine, Tata Magazine, 100 Volume 1, Latent Magazine, Hylas Magazine, and Fine Art Photo Magazine. He has been interviewed by the on-line magazines Whataroll and Kaltblut and he recently participated in a group exhibition at the Brick Lane Gallery in London in March 2017. Van Driessche cites these photographers as his influences: Anton Corbjin, for his square format and black and white images; Helmut Newton for his nudes; Stephanie Schneider...