Larsen Sotelo

"Untitled 2 (Mustang)" Photography 24" x 32" inch Edition of 7 by Larsen Sotelo

2014

"Untitled 3" (En Rouge) Photography Edition 1/7 32" x 24" in by Larsen Sotelo FRAMED Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Li...

"Untitled 2" (En Rouge) Photography Edition of 7 32" x 24" in by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited ...

"Untitled 1" (En Rouge) Photography Edition 2/7 32" x 24" in by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited E...

"Untitled 1" (Mustang) Original photography Edition 2/7 by Larsen Sotelo Untitled 1 From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fi...

"Brooke (Crashing Waves)" Photography 40" x 30" in Edition 2/3 by Larsen Sotelo FRAMED Brooke (Crashing Waves) Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin ...

Caroline (Darkness) Original photography Edition 1/3 by Larsen Sotelo FRAMED Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 40” X 30” inch Limited Edi...

Stripper Performers, Atlanta, 1996 by Leonard Freed is an 11" x 14" vintage print, stamped on verso (back of photo) with Freed's copyright stamp and signed (back of photo) by the art...

An underwater black and white photograph of two women talking in the pool with their heads above the water. The heads are hidden from the camera by black water. Original gallery qua...

Artist: Timothy Greenfield-Sanders (1952) Title: Jenna Jameson (Diptych-Clothed/Nude) from the XXX 30 PORN-STAR PORTRAITS SERIES Year: 2004 Medium: Co...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g. Available dimensions and editions: 35 cm × 46 cm, edition of 15 and 2 Artist's Proofs 64 cm × 84 cm, edition of 10 and 2 Artist's Proofs 94 cm × 116 cm, edition of 5 and 2 Artist's Proofs 128 cm × 158 cm, edition of 3 and 2 Artist's Proofs The photographs are printed with a white margin of 5 cm on each side. The price indicated applies to the print alone, without mount and unframed. For all special requests concerning mounting and framing please contact us. Miss Aniela's ‘Surreal Fashion...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN224, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

Print is also available in larger size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...

When We Work Together, 2020 30" x 30" Abstract Figurative Mixed Media Acrylic and Pencil on Paper Signed Allison Meyler is a contemporary painter, with a love for color, pattern,...

Nude Women is a series of eight original drawings in pen and pencil on paper, some of which double sided, realized by an Anonymous artist of the XX century, some of them with a sketch of women...

This large photograph is printed with archival pigmented inks on 100% rag paper. The paper size measures 34 x 50", framed size is 38 x 54". The art is signed on the lower right and...

D Flowers is a painter and photographer at the forefront of this particular style of photography. He has been working in this style for many years and is a master of his technique. I...

This Electrifying image by D Flowers is full of fun and excitement. D Flowers is a painter and photographer at the forefront of this particular style of photography. He has been wo...

One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" an...

One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" an...

Blond girls Nude and scantily-clad feminine figures and ballerina dancer, with delicate refined fingers and toes in idealized poses captured with soft pastel colors. A beautifu...