Archival Pigment Nude Photography

An underwater black and white photograph of young women diving naked in a pool. Original gallery quality archival pigment print on archival paper signed...

Amorphism 2, 3, and 1, Triptych, by Javier Rey From Amorphisms Series Archival Color Pigment Print Overall size: 110 cm H x 255 cm W. Edition 2/2 + 1AP Unframed Individual size:...

No title (No 5) Photography Edition 2/25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2017 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer. Black body make-up is put on the dancer's body. Photography on Diasec and Dibond This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

#1 of 8, signed, dated and numbered Howard Schatz gave up a career as a retinal surgeon and a clinical professor to follow his passion for photography. Schatz first established a fol...

Sepia Color Archival Pigment print Medium Ed of 10 Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the sh...

A beautiful and mysterious underwater photograph of a young naked woman relaxing on her back in her pool. This monochromatic aquatic tint photograph is a part of the series Marble ...

Les Acrobates IV H 35.5 in. x 27.5 in. W Edition 6 Unframed Les Acrobates Series This series was part of a calendar, and pays tribute to the art of the circus and its artists. ___...

ALBERT WATSON (*1942, Scotland) Naomi Campbell, Palm Springs, 1989 1989 Archival pigment print Image 122 x 91.5 cm (48 x 36 in.) Sheet 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 1...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Man jumping our of the water, One by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the bo...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 ...

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Comes in frame and plexiglass BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

Kyoto H 27.5 in. x 35.5 in. W Edition 6 Unframed This series of photographs were taken for a European calendar. The idea was to create postcards with several countries on different...

Planet Plastic II H 27.5 in. x 35.5 in. W Edition 6 Unframed Planet Plastic Series This safari series, Marisa in the Congo makes reference to plastic animals and her own plastic in...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist,...

Raquel - Signed limited edition archival pigment print, 1983 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

#3, 2020 by Jose Sierra From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper Edition of 10 + 1AP Unframed Additional sizes are available. All Prices are ...

An underwater black and white photograph of a naked young woman in the pool. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper w...

Underwater photograph of naked young woman processed in an abstract black and white symmetrical composition. Original gallery quality archival pigment print signed by the artist. ...

Submerged Petal / Desert Flower – Greece, 2014 by Guilherme Licurgo Archival pigment print Large image size: 60 in. H x 40 in. W Edition of 1/5 + 2AP Desert Flower is a project c...

Edition of 10 More sizes available on request. Silhouette of a woman in black and white. Artist Statement: Art is the air that I breathe. I grew up in an artistic family, surround...

Untitled by Ricky Cohete From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2021 All prices are quoted as "initial price" and may change due to cu...

Half Angels Half Demons #88, by Mauricio Velez Black and White Photography Archival Pigment Print Image size: 36 in. H x 72 in. W Edition of 9 + 2AP 2004 "In a few photographers ...

Archival pigment print (Edition of 10) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Archival pigment print Signed in silver ink, l.r. 14 x 11 inches, sheet size 10.5 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin...

Rayas one, by Ricky Cohete Archival Pigment print Image size: 36 in. Hx 24 in. W Ed of 10 Unframed Throughout his exploration of the movement of the body, with modern and ballet...

Invacuo Project #32, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humor characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of our jazz-like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high-quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people, and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls, and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounds like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact, be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in the late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter the arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitization. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, the spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

MISS ERIS #19, 2015 / 2019 [From the series Les Foxy Femmes de Carmen De Vos] 20x20cm, Edition of 7 + 2APs. Museum quality C-Print based on the Polaroid. Mounted on round dibond ...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

An underwater photograph of a naked young woman swimming in dense bubbles. Memories of the Russian model Katerina Potapkina. Original gallery quality archival pigment print on pape...

Liu Ye in his studio with muse, Beijing, 16 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Cert...

Les Acrobates I, by Uwe Ommer 1995 35.5 x 27.5 Edition 6 Les Acrobates Series This series was part of a calendar, and pays tribute to the art of the circus and its artists. _______...

Invacuo Project #27, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Paper Image size: 32 in. H x 47 in. W (80 cm H x 120 cm W) Edition o...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed ...

Phillip, Two by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as w...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printe...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Untitled, by Ricky Cohete Archival Pigment Print Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2020 All prices are quoted as "initial price" and may change due to curr...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Crazy He Calls Me. From the series "Eternal Recurrence" by Natasha Zupan Archival Pigment Print on Paper Image size: 60 in. H x 53.5 in. W Frame size: 63 in H x 56.5 in W x 1 in D Ed...

#2 of 8 signed and dated, lr new print Howard Schatz gave up a career as a retinal surgeon and a clinical professor to follow his passion for photography. Schatz first established a ...

Invacuo Project #22, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Arco Dos, by Ricky Cohete Archival Pigment Print From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2021 All prices are quoted as "initial price" ...

'Pink Nude' Open Edition C Type by Brasov Gorgeous and HUGE print of this nude at 60x40 inches / 152 x 101 cm paper size Mint crisp condition. C Type O...

Underwater photograph of a young naked woman processed in an abstract black and white symmetrical composition. Original gallery quality print on archival metallic paper signed by ...

Espiral Dos, by Ricky Cohete From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2021 All prices are quoted as "initial price" and may change due t...

Engulfment (Nacional 2) by Javier Rey Color Archival pigment print Image size: 80 cm H x 53 cm W. Edition of 5 + 1AP Unframed All prices are quoted as "initial price" and may chan...

Les Voiles H 35.5 in. x 27.5 in. W Edition 6 Unframed. Les Voiles Series Uwe Ommer wanted to try a series that revealed less of the body using different wet...

#16, 2021 by Jose Sierra From "El Envuelto Divino" Series Archival Pigment Print on Hahnemühle paper Image size: 40 in. H x 28.1 in. W Edition of 10 + 1AP Unframed Additional sizes...

"Grip" Photography 24" x 18" inch Edition 1/20 by Ben Cope Comes in frame and plexiglass Ben Cope is a Georgia native graduating from Columbus State Univ...

"Line Hotel Nr 3" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

Edition of 25, signed, titled and numbered Also available in 90 x 120 cm / 35.4 x 47.2 in and 135 x 180 cm / 53 x 70.8 in. Price on request. A naked woman poses. Tina Trumpp discov...

Phillip, Four by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as ...

Carlos, 2001 from Buscando Mama series by Celso José Castro Daza One of a kind photo collage Sheet Size: 28 in. H x 20 in. W 2001 Unframed The root of these unique photographic works...