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Stefanie SchneiderSilver Braw (29 Palms, CA) - Polaroid, Analog, Nude, Contemporary, Color1998
1998
About the Item
Silver Bra (29 Palms, CA) - 1999
Edition of 10,
58x56cm,
analog C-Print, hand-printed by the artist,
printed on Fuji Crystal Archive Paper
based on the Polaroid, matte surface
Artist inventory Number 287.01
Signature label and Certificate
Not mounted.
mounting available on request
The Girl behind the White Picket Fence
is a movie made with a succession of Polaroid film stills. One after another, sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. This feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine)
I plan engagements in spontaneity for any new project or photoshoot. Allowing space and time for the magic moment to manifest and capturing that enchantment. I use my senses and current affairs to plot that path of serendipity especially when it's a mark of turbulence. The upheaval of balance is the key for chance and allows all unknown forces to contribute to the moment. I look inside myself, ground that emotion and imagine it in a dream because dreams are the foundation of emotion and the link to our sub-conscience. I try to clarify my nightly dreams subjectively with a cup of nostalgia in a bowl of emotions and sprinkle it generously with sex. It is there, the fountain of our instincts."
Stefanie Schneider's Polaroid photography and Andy Warhol's Polaroid photography both hold significance in the realm of instant photography, but they exhibit distinct approaches and contributions to the medium.
Andy Warhol is renowned for his experimentation with Polaroid photography, particularly through his exploration of celebrity portraits and his innovative use of color, Stefanie Schneider's work takes the medium even further in terms of depth and narrative.
Schneider's Polaroid photographs go beyond capturing surface aesthetics. She delves into the realm of storytelling and evokes a strong sense of emotion through her compositions. By utilizing expired film and embracing its inherent imperfections, Schneider creates a dreamy and nostalgic quality in her images. Her work often explores themes of longing, loneliness, and the passage of time, inviting viewers to engage with the narratives she presents. In this sense, Schneider's Polaroid photography transcends the medium itself and becomes a vehicle for introspection and contemplation.
Warhol's Polaroid photographs have their own artistic merit, often capturing iconic figures and embracing the pop art aesthetic, they tend to emphasize the surface and the iconic status of the subjects. Warhol's approach is more focused on the immediate visual impact rather than delving into deeper narratives or emotions.
In terms of pushing the boundaries of Polaroid photography, Stefanie Schneider's work can be seen as a more significant progression. Her use of expired film, combined with her attention to composition, lighting, and vintage aesthetics, creates a distinct and immersive experience for viewers. She expands the possibilities of Polaroid photography by infusing it with a poetic and introspective quality, going beyond the instant capture to explore the realms of memory, time, and personal connection.
In summary, Andy Warhol's Polaroid photography is notable for its iconic subject matter and exploration of color, Stefanie Schneider's work takes Polaroid photography to new depths. Her emphasis on storytelling, emotion, and the transformative power of expired film sets her work apart and showcases her ability to elevate the medium into a realm of contemplation and artistic expression.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale. Her work are represented in collections as DZ Bank or LACMA.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1998
- Dimensions:Height: 22.84 in (58 cm)Width: 22.45 in (57 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652312519622
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