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Andrea Santoloya
Prelude, The Dressing Room 47 in x 70 in (Black and White)

2011

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  • #112, 1970s Nightclubs of Chicago South Side - Rare Vintage Silver Gelatin Print
    Located in London, GB
    “I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...
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    1970s Performance Portrait Photography

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    Archival Paper, Photographic Paper, Silver Gelatin, Photographic Film

  • Tony Williams
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    American jazz drummer Tony Williams pictured here from late 1969. At only 23 years old, he had already played with Miles Davis for five years and had just started his own group, the ...
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    1960s Black and White Photography

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  • Henri Langlois
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  • Sly Stone at Soul Together
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    The Soul Together concert at Madison Square Garden on June 28, 1968 featured a roster of Atlantic recording artists, all of whom donated their time. Proceeds benefitted the Martin Luther King Jr. Memorial Scholarship Fund. The acts included Aretha Franklin, Sonny and Cher, King Curtis, Joe Tex, Sam and Dave, The Rascals, and Sly Stone...
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  • Anthony Perkins, Silver Gelatin Print
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    Anthony Perkins was the son of the distinguished Broadway actor Osgood Perkins. He won an Academy Award nomination in just his second film, Friendly Persuasion (1956). In 1960, he appeared as Norman Bates in Alfred Hitchcock’s thriller Psycho, and from then on, Perkins was strongly identified with that one role. When photographed by Jack Robinson on May 21, 1968, Perkins had just made Pretty Poison playing a mentally disturbed man opposite Tuesday Weld. He was married to the photographer Berry Berenson...
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  • Claude Chabrol, Silver Gelatin Print
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    The French director Claude Chabrol was one of the Cahiers du Cinéma critics who became filmmakers. Chabrol’s film Le Beau Serge (1958) is considered to be the first film of the Frenc...
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