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Gerlinde Miesenböck
Exposure Studies (Red) - Contemporary Color Portrait Photography

2016

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    Rooms of Requirements (Purple) - 21st Century Color Portrait Contemporary Photography Edition 4/4+1 AP Print is unframed and comes with a label signed by the artist Catharina Bond‘s work deals with culturally constructed patterns of perception, especially socially determined norms and hierarchies as well as subversive mechanisms of communication which emerge from those structures. Those familiar and historically evolved frameworks are being questioned and reflected by introducing subtle modifications within their content or characteristics. Born in 1980 in Vienna, Austria. Lives and works in Vienna. Studies at the Royal College of Art London, the Academy of Fine Arts in Vienna, University College London...
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  • Disturbance (no. 3) - Contemporary Ski Nostalgia Portrait Photograph
    By Michael Huey
    Located in Vienna, AT
    Disturbance (no. 3) - Contemporary Ski Nostalgia Portrait Photograph based on a snapshot from the 1930s C-Print, Diasec on dibond Edition 1/5+2 AP The physical, hands-on part of my ...
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  • Damage - 21st Century Victorian Contemporary Female Portrait Photography C-Print
    By Michael Huey
    Located in Vienna, AT
    Michael Huey Damage, 2012 Based on 1870s glass negative C-print 137 x 115 cm Edition 5+II AP Photo print will be shipped with an adhesive label signed by the artist Michael Huey was born 1964 in Traverse City, USA, lives and works in Vienna, Austria, since 1989. Huey holds a B.A. in German studies, Amherst College, Massachusetts, 1987 and an M.A. in art history, University of Vienna, 1999. Numerous solo and group shows in Austria, USA, UK. Collections: Cleveland Museum of Art, Sigmund Freud Museum Wien, Mead Art Museum in Amherst Massachusetts, 21er Haus Wien, Museum der Moderne Salzburg Publications/Monographs: Inside Stories—Writing About Home. An anthology of essays about interiors, Album Verlag 2021 Straight as the Pine, Sturdy as the Oak, Verlag Schlebrügge.Editor, Wien 2013 Archivaria, Verlag Schlebrügge.Editor, Wien 2012 ASH, inc., Verlag Schlebrügge.Editor, Wien 2009 Betsy and I Killed the Bear, Verlag Schlebrügge.Editor, Wien 2007 Viennese Silver. Modern Design 1780-1918, Ausstellungskatalog für die Neue Galerie New York und das Kunsthistorische Museum Wien, Hatje Cantz Verlag, Ostfildern 2003 The Place of Beginning. On the Huey, Mautz, Lebzelter, McGowan Families and Their Kin, self published, Wien, 2001  The physical, hands-on part of my work takes place in the archive. It involves sorting, searching, and seeing. Conceptually, the work revolves around the idea of loss, disintegration, and the attendant themes of legacy, inheritance, and inventory. In a phrase: ‘what remains’. Things – often photographic materials – that are overlooked, considered insignificant and/or trivialized play an important role, and presenting them anew is part of what I consider their rehabilitation. Though I do not intrude into existing narratives, I nevertheless make use of them to tell new stories. (Michael Huey) Damage - 21st Century Victorian Contemporary Female Portrait Photography...
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