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Jim French
Untitled (Cowboy) / P00103

c. 1967-1969

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    Vintage Polaroid print (Unique) Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Jim French first began drawing and then photographing male erotica in the 1960s. Originally a successful fashion illustrator, French and an old army buddy partnered to open a mail order company in New York City they called Luger. French contributed homoerotic drawings of hyper-masculine types such as soldiers, cowboys, and bikers. Eventually he bought out his business partner, and by 1967, under the pseudonym Rip Colt, he founded the now infamous Colt Studio...
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  • Nip Up
    By Fernand Fonssagrives
    Located in New York, NY
    Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.
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    1930s Other Art Style Black and White Photography

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  • Couple #1
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    Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 34 x 28 inches, overall mat size 28 x ...
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    2010s Contemporary Figurative Photography

    Materials

    Silver Gelatin

  • [The Circle] LaSalle Street, Harlem
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    Gelatin silver print Stamped in black ink, verso This artwork is offered by CLAMP, located in New York City. Todd Webb (1905-2000) was an American photogra...
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  • tracy - lace
    By Frank Yamrus
    Located in New York, NY
    Gelatin silver print (Edition of 10) Signed, dated, and numbered, verso 20 x 16 inches, sheet size 15 x 15 inches, image size From the series, "Primitive Behavior" This artwork is ...
    Category

    1990s Contemporary Figurative Photography

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  • Untitled (Mask in Water)
    By Ralph Eugene Meatyard
    Located in New York, NY
    From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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