Stefanie Schneider

Boy Running (Point Dume)

2000

Marlboro (Stranger than Paradise), 1997 published in 'Stranger than Paradise), Edition of 2/30, digital C-Print based on a Polaroid, not mounted, Signature label and Certificate, ar...

'Allegro Moderato' by Carmen De Vos (Odd Stories) - 1/25, 2014 mounted on black mdf, dimensions 15x11,3cm (the second image shows a sample piece mounted) hand signed by the artist on...

Of the Afternoon (2019) Edition of 10 - 20 x 20 cm Digital C-Print based on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare ...

'Radha at Fence' (29 Palms, CA), Edition 2/10, 60x58cm, 1999 analog C-Print, hand-printed by the artist, based on an expired Polaroid, not mounted, Certificate and signature label, ...

'BAMBI PANG PANG' (Birth & Bees) 2014 Edition 1/25, digital print mounted on mdf, dimensions 15 x 11,3 x 0.8cm, matte coating, hand signed by the artist on the back. (images 4-6 show a sample piece mounted) Published in her book The Eyes of the Fox Part of Photo’s des Femmes - Miami Photo...

Hans (Stage of Consciousness), 2007, 20x24cm, Edition of 9/10, digital C-Print, based on a Polaroid photograph, not mounted, artist Inventory Nr. 7730.26, certificate and signat...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. 'Sun Kissed Wendy', from Richard Heeps' 'Man's Ruin' Ser...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. Anita, photograph from Richard Heeps autobiographical se...

Bruce Lee TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. Seventies inspired mustard wallpaper is the backdrop for a black and white vintage Sanyo ...

Hitachi TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. A sense of nostalgia with seventies inspired mustard wallpaper as a retro kitsch backdrop f...

A landscape photograph of Buzz Aldrin standing next to a seismograph with the "Eagle" and American flag in the background remains an historical and artistic document from 8 days in s...

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...