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Stefanie SchneiderLeaving III (Sidewinder) - Polaroid, 21st Century, Contemporary2005
2005
About the Item
Leaving III (Sidewinder) - 2005
60x110cm,
Edition of 10.
Archival C-Print based on a Polaroid.
Signature label and Certificate.
Artist Inventory No. 3463.
Not mounted.
2005 SIDEWINDER - Director / Artist / Camera / Editing - starring JD Rudometkin, Stefanie Schneider, music by JD Rudometkin
private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation. (Adam Budak, Kunsthaus Graz, Oct 2005)
“Working on Sidewinder with Stefanie Schneider was intense. It is a very personal piece for both of us, though I feel in very different ways. When overdue fears and aspirations are able to surface in a project, the work becomes a mirror. Such efforts are always a risk. I am still uncertain of what exactly to make of it Sidewinder. How much should have been exposed. What needs to remain sacred. I almost did not drive that „68 Deville” out to 29 Palms on the day we were set to shoot. I followed her out there against a feeling I had. Was it fear? I don’t know. Perhaps mistakes do not exist. What is our intuition composed of anyhow? When I look out across the desert, it seems so flat. So free of dramatic lines. That is when a human figure appears, even in the distance, a curiosity. There are so many of us clustered in these cities, who would care. Why take the time? I will always drive out of town back into parts of Sidewinder from time to time.”(JD Rudometkin)
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In the case of Sidewinder the scenario was created by internet where she met J.D. Rudometkin, an ex-theologian, who agreed to her idea to live with her for five weeks in the scrubland desert
environment of Southern California. The dynamics and unfolding of their relationship, both sexually and emotionally, became the primary subject matter of this series of photographs. The relative isolation and their close proximity, the interactive tensions, conflicts and submissions, are thus recorded to reveal the day-to-day evolution of their relationship. That a time limit was set on this relation-based experiment was not the least important aspect of the project. The text and music accompanying the DVD were written by the American Rudometkin, who speaks poetically of “Torn Stevie. Scars from the weapon to her toes an accidental act of God her father said. On Vaness at California.” The mix of hip reverie and fantasy-based language of his text, echoes the chaotic unfolding of their daily life in this period, and is evident in the almost sun-bleached Polaroid images like Whiskey Dance, where the two abandon themselves to the frenetic circumstances of the moment. Thus Sidewinder, a euphemism for both a missile and a rattlesnake, hints at the libidinal and emotional dangers that were risked by Schneider and Rudometkin. Perhaps, more than any other of her photo-novels it was the most spontaneous and immediate, since Schneider’s direct participation mitigated against and narrowed down the space between her life and the art work. The explicit and direct character of their relationship at this time, opens up the question as to the biographical role Schneider plays in all her work. She both makes and directs the work while simultaneously dwelling within the artistic processes as they unfold. Hence she is both author and character, conceiving the frame within which things will take place, and yet still subject to the same unpredictable outcomes that emerge in the process.
(Mark Gisbourne, Stranger than Paradise, 2006, page 12-14)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 23.63 in (60 cm)Width: 43.31 in (110 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652310115452
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