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Stefanie SchneiderThe morning after (Till Death do us Part) -Contemporary, 21st Century, Polaroid2005
2005
About the Item
The morning after (Till Death do us Part) - 2005
20x20cm,
Edition of 10.
Archival C-Print print, based on a Polaroid,
Certificate and Signature label.
artist Inventory #9173.
Not mounted.
On offer is a piece from the Stefanie Schneider movie: Till Death do Us part
'Till death do us part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences.
The story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely dessert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal was also a lonely child and already dangerously close to vanishing when she finds Margarita. For her it is the begging of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all.
The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they loose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever?
An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality.
Stefanie Schneider's Polaroid photography and Andy Warhol's Polaroid photography both hold significance in the realm of instant photography, but they exhibit distinct approaches and contributions to the medium.
Andy Warhol is renowned for his experimentation with Polaroid photography, particularly through his exploration of celebrity portraits and his innovative use of color, Stefanie Schneider's work takes the medium even further in terms of depth and narrative.
Schneider's Polaroid photographs go beyond capturing surface aesthetics. She delves into the realm of storytelling and evokes a strong sense of emotion through her compositions. By utilizing expired film and embracing its inherent imperfections, Schneider creates a dreamy and nostalgic quality in her images. Her work often explores themes of longing, loneliness, and the passage of time, inviting viewers to engage with the narratives she presents. In this sense, Schneider's Polaroid photography transcends the medium itself and becomes a vehicle for introspection and contemplation.
Warhol's Polaroid photographs have their own artistic merit, often capturing iconic figures and embracing the pop art aesthetic, they tend to emphasize the surface and the iconic status of the subjects. Warhol's approach is more focused on the immediate visual impact rather than delving into deeper narratives or emotions.
In terms of pushing the boundaries of Polaroid photography, Stefanie Schneider's work can be seen as a more significant progression. Her use of expired film, combined with her attention to composition, lighting, and vintage aesthetics, creates a distinct and immersive experience for viewers. She expands the possibilities of Polaroid photography by infusing it with a poetic and introspective quality, going beyond the instant capture to explore the realms of memory, time, and personal connection.
In summary, Andy Warhol's Polaroid photography is notable for its iconic subject matter and exploration of color, Stefanie Schneider's work takes Polaroid photography to new depths. Her emphasis on storytelling, emotion, and the transformative power of expired film sets her work apart and showcases her ability to elevate the medium into a realm of contemplation and artistic expression.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale. Her work are represented in collections as DZ Bank or LACMA.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652312520052
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