William Wegman

Easy Rider

2009

2015, pigment print photograph, 14 x 11 inches, Edition of 12

2015, pigment print photograph, 14 x 11 inches, Edition of 12, signed and numbered on reverse

2009, pigment print photograph, 14 x 11 inches, Edition of 12 signed and numbered by the artist on the reverse

2012, pigment print photograph, 14 x 11 inches, Edition of 12

This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12. This piece is numbered, titled, signed, and dat...

2011, pigment print photograph, Edition of 12. Signed and numbered on reverse by the artist.

John Grant White Peony, 2010 60x60 inches -Ed.10 Archival Pigment Print - Plexiglas Signed

David Pugh Untitled Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resista...

John Grant White Peony, 2010 40x40 inches -Ed.20 Archival Pigment Print - Plexiglas Signed

Beware - Wrong Way (Stranger than Paradise), triptych - 1997 Edition 2/3, 54x71cm each, installed with gaps 172x71cm. 3 Analog C-Prints, hand-printed by the artist and based on t...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. This print may be available in another size, please contact the gallery for more information. "The Carousel. Palm Beach Zoo. West Palm...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Unique 10" x 8" Salt Paper Print toned with Selenium and Varnished with Lavender and Beeswax. The practice and potential of Photo Therapy is something that has long interested Rachel Louise Brown, so during the pandemic lockdowns, she decided to explore for herself, photography’s power to heal. Building a small studio set in her living room, she used the performative nature of self-portraiture as a tool to cope with her grief, frustration and fear, instinctively gravitating towards clowns as a subject. Alongside conjuring clown characters, having hired archival and historical outfits from the National Theatre & Clown Museum and attempted the art of clown make up, Brown was keen to learn new analogue techniques – particularly some of the earliest ones that have led to the world of photography as we know it today. Since then, Brown has attempted to master the historical alchemical process of salt printing. Invented by William Henry Fox Talbot in the mid-1830s, salt printing was the earliest photographic method capable of fixing a negative to positive image on paper. Using salt water...