Yvonne Michiels

''Living Doll Froukje'' Portrait of a Living Doll in Dutch Costume

2021

In her art, Dutch photographer Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. Yvonne’s Living Dolls series is ...

In her art, Dutch photographer Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. Yvonne’s Living Dolls series is her interpretation of the strug...

In her art, Dutch photographer Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. Yvonne’s Living Dolls series is ...

Jenny Boot started painting as a form of self-expression. After a while she chose to study photography. She graduated in Amsterdam in 2012 as a fashion photographer. In her graduatio...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a...

In her art, Dutch photographer Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. Yvonne’s Living Dolls series is ...

DIETRICH MOOD 2011 From “Portraits” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 80X60 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 40X30 Print run 10+2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

PAOLO SORRENTINO 2011 From “Portraits” project Print run 11+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 60X80 11 +2PA (plexiglass on alluminium dbond 3mm) CM 30X40 8/11 +2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

JB was born in France in 1970, and currently lives with his family in Paris. JB Thiele's long career in photography has encompassed fashion, advertising and celebrity portraits, coll...

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

A dye sublimation color print on aluminum size 40x33 This Portrait photography is also available in 2 other sizes: 30x24"( 76 cm x 61 cm) : $8,000 50x43", (127 cm x 109 cm): $ 16,000...

Vibrachrome print on aluminum Available in 3 different sizes: 58 x 46" ( edition of 7 ) - $ 13,000 50 x 40" ( edition of 7 ) - $ 10,000 42 x 33 " ( edition of 10 ) - $8,000 as an ...