Arthur Hauser

Still Life No. 7

2024

Inspired by Irving Penn's still life work, this work explores color, shape, movement and depth. The complexity and relationship of shapes encourages the viewer to move across the pho...

This piece is a diptych and will consist of 2 individual images. The price reflects the price for the purchase of the diptych as a pair. These images were made using a Mamiya RB67 in...

Inspired by Irving Penn's still life work, this work explores color, shape, movement and depth. The complexity and relationship of shapes encourages the viewer to move across the pho...

Inspired by Irving Penn's still life work, this work explores color, shape, movement and depth. The complexity and relationship of shapes encourages the viewer to move across the pho...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in my home studio in Seoul, South Korea. These figure studies intend...

These photographs explore abstract patterns, shapes, rhythms and relationships between man and the earth. This photograph was taken from the observation deck of Tokyo Tower...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink, blush, peach and yellows of the Dahlia...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink, blush, peach and yellows of the Dahlia...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the green Hosta, and her own collage work, to cr...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink florals, and her own collage work, to c...