David Halliday

Compote with Teeth (Still Life Photograph of White Teeth in a Glass Cup)

2012

Contemporary color still life photograph of yellow, purple, and white flower with red buttons in a silver compote cup on a wood tabletop "Flowers, Compote & Buttons", photographed by David Halliday in 2008 archival pigment print, ed. of 25 10 x 14 inch image on 16 x 12 inch paper, unframed Print is made to order "Flowers, Compote & Buttons" is an archival pigment print by photographer, David Halliday. Here, the artist beautifully situates colorful flowers and buttons in a silver compote cup on an old wooden table...

Contemporary still life photograph of domestic objects and gardening tools by David Halliday "Garden Chair", ed. 1 of 7, archival pigment print 29.75 x 20 inches unframed, 34 x 24.5...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Contemporary color still life photograph of purple and green vegetables archival pigment print in artist-made white painted wood frame 30 x 37.5 inches unframed, 33 7/8 x 41 5/8 inch...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Tincture of Myrrh, part of Richard Heeps' 'Forward to the Past' series, he was commissioned to photograph Preston Hall Museum before it went through regeneration. The works captured ...

Disc Jockey, part of Richard Heeps' 'Forward to the Past' series, he was commissioned to photograph Preston Hall Museum before it went through regeneration...

School Fun, from Richard Heeps series 'In The Treasure Trove', featuring the multicolour spines of the iconic children's Annuals, photographed in a vintage bookshop...

Rice Bowl, interior photograph from Richard Heeps Ordinary Places series, it was captured in the final years of British Hong Kong in a colonial home on the Peak. The almost monochrom...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...